'Jordie Albiston has published many poetry collections and a handbook on poetic form. Jordie works within formal boundaries: traditional, experimental or self-imposed. She seeks the musical cadence while endeavouring to exact a mathematical sense of existence. Often she utilises historical sources from which to wrest a kind of documentary cataloguing: other times she refers to an internal witness of experience. The poems here were commissioned by Anna Messariti (Much Ado) for a music-theatre piece, Aphrodite’s Tears. Jordie’s work has won many awards, including the Mary Gilmore Award and the 2010 NSW Premier’s Prize. She lives in Melbourne.' (Publication summary)
'From March to November 2020, the Melbourne populace was restricted, curfewed and in ‘lockdown’ due to COVID19, bringing with it a slow-down, a chance to engage deeply with what nourishes. This was a time when I hunkered down with a breadth of poetry collections engaging with themes of isolation, exile and crises. I gravitated to collections of poems that built on an issue, immersing themselves in one world and all of its nuances. This is the mastery of award-winning poet and scholar, Dr Jordie Albiston. She applies outstanding rigour to research and content, as much as she does to form and metre. During the many months of solitary neighbourhood walks, mandatory masks and global crises spreading through airwaves, Albiston’s poems created reflective spaces on how history is only separated by time, and ‘love’ must be activated on a fundamental level.' (Introduction)
'From March to November 2020, the Melbourne populace was restricted, curfewed and in ‘lockdown’ due to COVID19, bringing with it a slow-down, a chance to engage deeply with what nourishes. This was a time when I hunkered down with a breadth of poetry collections engaging with themes of isolation, exile and crises. I gravitated to collections of poems that built on an issue, immersing themselves in one world and all of its nuances. This is the mastery of award-winning poet and scholar, Dr Jordie Albiston. She applies outstanding rigour to research and content, as much as she does to form and metre. During the many months of solitary neighbourhood walks, mandatory masks and global crises spreading through airwaves, Albiston’s poems created reflective spaces on how history is only separated by time, and ‘love’ must be activated on a fundamental level.' (Introduction)
