Cirrus@Austlit

'The much-anticipated third novel by award-winning Australian author Robbie Arnott, Limberlost is a story of family and land, loss and hope, fate and the unknown, and love and kindness.

'In the heat of a long summer Ned hunts rabbits in a river valley, hoping the pelts will earn him enough money to buy a small boat.

'His two brothers are away at war, their whereabouts unknown. His father and older sister struggle to hold things together on the family orchard, Limberlost.

'Desperate to ignore it all-to avoid the future rushing towards him-Ned dreams of open water.

'As his story unfolds over the following decades, we see how Ned's choices that summer come to shape the course of his life, the fate of his family and the future of the valley, with its seasons of death and rebirth.

'The third novel by the award-winning author of Flames and The Rain Heron, Limberlost is an extraordinary chronicle of life and land: of carnage and kindness, blood ties and love.' (Publication summary)

'`Benjamin Duterrau and his National picture project are at the core of this publication because he was the colonial artist most interested in Tasmania's Aboriginal people, and the only artist who chose to depict, on a substantial scale, their conciliation or pacification by George Augustus Robinson', writes Tim Bonyhady and Greg Lehman in their introduction to The National Picture: The Art of Tasmania's Black War.

'The fresh research presented by Bonyhady and Lehman in this insightful new book from the National Gallery of Australia will no doubt tantalise art lovers and historians alike. It will also appeal to anyone interested in Australia's colonial past and in the ongoing interrogation of the historical record by Aboriginal artists and activists. Bonyhady and Lehman's introduction continues: `For Tasmanian Aboriginal people today, Duterrau's paintings provide a tantalising and rare visual record of the unique culture practice of their ancestors. Robinson's journals offer written descriptions of activities, such as spear-making and throwing, kangaroo hunting and ceremonial dance, accompanied by only a scattering of small, often crude sketches, which are vitally important firsthand observations'.

'This publication serves to conjure up and interrogate Tasmania's colonial past. Colonial representations of Tasmanian Aboriginal people are among the most remarkable and contentious expressions of Australian colonial art. The National Picture sheds new light on the under-examined figures in this difficult narrative: colonial artist Benjamin Duterrau, the controversial George Augustus Robinson and the Tasmanian Aboriginal people upon whose land the British settled.' (Publication summary)

'In 1908 English gentleman, Ernest Westlake, packed a tent, a bicycle and forty tins of food and sailed to Tasmania. On mountains, beaches and in sheep paddocks he collected over 13,000 Aboriginal stone tools. Westlake believed he had found the remnants of an extinct race whose culture was akin to the most ancient Stone Age Europeans. But in the remotest corners of the island Westlake encountered living Indigenous communities. Into the Heart of Tasmania tells a story of discovery and realisation. One man's ambition to rewrite the history of human culture inspires an exploration of the controversy stirred by Tasmanian Aboriginal history. It brings to life how Australian and British national identities have been fashioned by shame and triumph over the supposed destruction of an entire race. To reveal the beating heart of Aboriginal Tasmania is to be confronted with a history that has never ended.' (Publication summary)