'This introduction to the special issue of Landscapes theorizes the questions suggested by the theme, "Landscape: Heritage." Weaving personal narrative with literary criticism, cultural studies, human geography, and ecology, the essay examines the way humans become human by developing complex relationships with landscapes over time. As landscapes contain the physical traces of human habitation and development, certain narratives of human inhabitants are written and memorialized in and by those landscapes. The monumentalization of specific heritages leads to contests between human groups who require certain heritages to be memorialized, but not others. Greater awareness of one's humanity requires recovery of polyphonic landscape heritages and continual re-inscription. The concluding section of the essay traces the connections between the individual publications in the issue, and shows how they unite in providing diverse understandings of how humans become human by re-inscribing heritage in Landscapes.' (Publication introduction : Hubbell, D. (2018). Becoming Human in the Land: An Introduction to the Special Issue of Heritage: Landscapes. Landscapes: the Journal of the International Centre for Landscape and Language, 8(1).)
'This essay presents a visual dialogue about our relationship to place. I adopt Henri Lefebvre’s model of cumulative trialectics (1991) as a new thirdspace that more accurately represents the complexities of modern day geographies and hybrid communities by extending the binary analysis of the past and present and beyond the real and the imagined. Trialectics expand our understanding beyond physical geographies by suggesting a cerebral space that searches for new meaning and is therefore more radically open to additional otherness and toward a continuing expansion of [human] spatial knowledge and imagination.
'Julia Lossau describes thirdspace as a space that ‘…tends to be transformed into a bounded space which is located next to [and] in-between other bounded spaces, like a piece of a jigsaw’ (2009). This bounded space as a mechanism of transference is examined in my own visual arts practice as a response to and reflection of the collaboration.' (Publication abstract)
'In the process of researching the life of an early settler of the Israelite Bay area, the author comes to a much deeper understanding of the many ways in which the landscape has changed in the past one hundred and fifty years.' (Publication abstract)
'This poem explores the past and present history of Hyde Park in Perth and the meaning of this landscape, in its various manifestations over time, for its users. The poem was conceived as a triptych, with all three sections visible simultaneously. A version of the poem in this form is submitted (in landscape format). ' (Publication abstract)
'Kim Scott's Taboo is a story about beginnings and endings.This novel reminds the reader of the circularity of stories, and how those stories are shaped by intent and weighed by landscape. Scott speaks of dispossession, abuse, colonialism, addiction and racism in lyrical and melancholy prose. The men and women who walk through these pages are startlingly aware of their failings and equally forgiving of those failings in others. There are no quick fixes and the story vacillates between despair and hope. Yet this is not a grim story. The lucidity of its prose lifts it beyond the despair in its pages and reminds us that there are no perfect words and no easy resolutions to the trials of our First Nations people. An important and devastating story for our times.' (Publication abstract)
'A poem that that explores the Australian landscape, an environment of despair, and ennui.'