'In this chapter, Brewster revisits the category of Australian Aboriginal protest poetry to see how its imperatives have changed since the 1980s. The chapter starts with the caveat that not all Aboriginal poetry is protest poetry. However, while Aboriginal poetry has always been written in a wide variety of styles and modes, protest continues to be a prominent constitutive feature of that field. Brewster aims not to privilege protest poetry as the most “authentic”, salient, or even the dominant aesthetic in the field of contemporary Aboriginal poetry but to demarcate it as a discrete body of work, identifying its politico-aesthetics and the cultural work it undertakes.'
Source: Abstract.