'Aboriginal women are the great gatherers of many things—food, of course, but also stories and inner strength. The women who raised me had vast reserves of inner strength, and to pass that on was a powerful act of activism. In particular, they taught me to listen to the past as it speaks in the present.
'This work is about listening to the past and walking back over it, step after step, to see what you missed the first time. It speaks to what has been left out of official records, recordings and documents—the emotions, the other sides of paper—and what is not said. These poems engage with the ongoing, interventionist nation-state and the crime scene that is Australia in the lives of Aboriginal people. In contrast to state archives, museums, libraries, universities and collection agencies—and their methods of 'recording the lives' of Aboriginal people—my work explores the body where memories are stored as an archive; anchored and etched. Writing is an act of remembering a dismembered past.
'The title WALK BACK OVER alludes to a bridge across the Murrumbidgee River where I grew up but, more symbolically, mirrors the need to revisit our past. Much was made of the 2000 Reconciliation Walk across Sydney Harbour Bridge—many settler Australians walked across this and other bridges, and I am not cynical about that—but there are many other spans in Australia that must be walked: not just once, walked back over."—Jeanine Leane' (Publication summary)
'As a lover of poetry, family history, rivers and archives, it is not easy to stay afloat when immersed in the torrent imaginings of Wiradjuri poet Jeanine Leane’s latest book, Walk Back Over; best to surrender, ride with the undercurrents and open up to savour it all. This work extends her first chapbook, Dark Secrets After Dreaming (AD) 1887-1961, which ‘moves from campfire to captivity to confinement and through colonialism’ (2010). Over time Leane has fine-tuned a poetic rage juxtaposed with love from her sovereign Wiradjuri woman standpoint, as deep and layered as the rich sediment of her ancestral Murrumbidgee River – grounded, yet never still.' (Introduction)
