''Bani Adam thinks he's better than us!' they say over and over until finally I shout back, 'Shut the fuck up, shut the fuck up, I have something to say!'
'They all go quiet and wait for me to explain myself, redeem myself, pull my shirt out, rejoin the pack. I hold their anticipation for three seconds, and then, while they're all ablaze, I say out loud, 'I do think I'm better.'
'Bani Adam is a student at Punchbowl Boys High School, which seems like the arse end of the earth, and the students don't seem to care. The Lebs control the school, and Bani feels at odds - a romantic in a sea of hyper-masculinity.
'Bani must come to terms with his place in a world of hostility and hopelessness - while dreaming of having so much more.' (Publication summary)
'Once overlooked in Australian literature, recent writing from Western Sydney is now among the field’s most dynamic and vital. Over the past two decades, Western Sydney, one of Australia’s most culturally and linguistically diverse communities, has also become a locus for Islamophobia, racism and anti-multicultural sentiment. This sentiment was bolstered by John Howard’s Coalition government between 1996 and 2007 through the creation of a ‘citizen norm’ mythologising Anglo-Celtic identity, normative expressions of masculinity, and neoliberal individualism (Johnson 197). This period also saw a sharp rise in discrimination against Muslim Australians following the MV Tampa controversy, the fabricated ‘Children Overboard’ scandal, the September 11 attacks on New York City, and the trial and conviction of a group of young Lebanese Muslim men, led by Bilal Skaf, for a series of violent gang rapes perpetrated against young women in Sydney. In this essay, I read three works by writers from Western Sydney as resistance to Howard’s citizen norm: Luke Carman’s An Elegant Young Man (2013), Peter Polites’s Down the Hume (2017) and Michael Mohammed Ahmad’s The Lebs (2018). I examine the works’ depictions of suburban locality and masculinity in the context of Howard-era multicultural Australia.' (Publication abstract)
Semi-autobiographical: includes the author's account of his life in Australia and his sense of being understood via people's memories of reading accounts of the Middle East.
'I think it’s fair to say that each year the selected novels on the Miles Franklin shortlist manifest the zeitgeist, reflecting on some of the issues that are troubling society.' (Introduction)
'Among six books shortlisted for the nation's most prestigious literary prize is Michael Mohammed Ahmad's The Lebs.' (Introduction)
'Bani Adam wants to be a ‘chivalrous poet’ or a great writer. These aspirations make the Lebanese-Australian teenager feel like an outsider at the testosterone-fuelled, anti-intellectual high school that he attends. Until he finishes school, Bani bides his time with a group of mostly Muslim and Lebanese young men. ‘The Lebs’, as they refer to themselves, while away the hours discussing religion and politics, fantasising about or insulting teachers, and forging something like a friendship with one another.' (Introduction)
'The education of the artist, especially if that artist is a young male, is the perennial grass of the literary field: a yearly recurrence, reassuring if often a little dull. Must we really hear again of the sensitive soul who finds himself in a homosocial world without sympathetic allies? Who longs for connection with women without having the first clue about doing so? Whose aesthete’s impulses place him at odds with family, religion or caste?' (Introduction)
'In November 2016, Michael Mohammed Ahmad published an essay in the Sydney Review of Books titled ‘Lebs and Punchbowl Prison’. The ‘prison’ in question was his alma mater, Punchbowl Boys High School, and the essay was a reflection on his time as a student there in the late 1990s and early 2000s. At the time, the school was not exactly regarded as a hub of academic excellence, a perception that Ahmad does nothing to dispel. His recollections are a litany of educational dysfunction and outrageous misbehaviour, ranging from adolescent hijinks to acts of violence.' (Introduction)
'The opening scenes from The Lebs could be mistaken for speculative fiction, in which ethnic minorities are forced into guarded enclaves, surrounded by high fences and barbed wire, and monitored by surveillance cameras. But Michael Mohammed Ahmad’s second novel is closer to social realism: it is set within the surreal banality of Punchbowl Boys High School in Sydney’s western suburbs and narrated by Bani Adam, a young Lebanese-Australian man struggling to find his place in the world.' (Introduction)
