Issue Details: First known date: 2017... 2017 Fault Lines in Under the Skin (Glazer, 2013) : An Ethics and Aesthetics of the ‘monstrous’
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AbstractHistoryArchive Description

'An adaptation of Michel Faber’s 2000 novel about alien invasion that updates the scifi horror tradition of the 1970s in an art-cinema mode, Under the Skin (Glazer, 2013) offers a stellar example of the ‘monstrous’ as both figure and form. Generally speaking, the interstitiality of the ‘monstrous’ demands strategies grounded in the disconnection between categories (image and sound, diegetic and nondiegetic), some of which have become horror movie clichés. Under the Skin is no exception. Its aesthetics of instability, correlated to a ‘monstrous’ figure that casts a defamiliarizing gaze on our world before attempting to ‘become human’, produces a complex subtext on contemporary alienation and identity politics, that puts the viewer in a position where he or she must both take moral responsibility for the categories he or she constructs (such as the ’monstrous’), and experience the mysterious physicality at the core of life itself.' (Publication summary)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Horror Studies vol. 8 no. 1 April 2017 11791865 2017 periodical issue 2017 pg. 45-59
Last amended 7 Sep 2017 12:14:48
45-59 Fault Lines in Under the Skin (Glazer, 2013) : An Ethics and Aesthetics of the ‘monstrous’small AustLit logo Horror Studies
Subjects:
  • Under the Skin Michel Faber , 2000 single work novel
  • Under the Skin Walter Campbell , Michel Faber , Jonathan Glazer , 2013 single work film/TV
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