'There are many resonances and references in the process of cutting and weaving my handwriting. The content is disrupted, leading to the sign becoming merely a line, or stammer; that of asemic writing. William Burroughs’ cutting-up of language is echoed, but rather than language being a virus to disrupt, the disruption is to question voice and readership—who is being read or heard, and what is being listened to? Also, that I do not want this work to be read suggests a needed privacy, though the writing comes from personal journaling and one of the contexti packets has the title ‘love letter’.' (Introduction)