'The Herring Lass explores human and animal migrations: how animals and birds survive extreme climate and resist assailants can provide reflections on our global engagements, the exodus of refugees. These poems consider the threshold between wilderness, history and social order where landscape becomes a place of violence, dispossession and loss. A woman's experience of fragmentation, exile, divorce, motherhood, is an undercurrent, her words wrestling with the consequences of these events.' (Publication summary)
'It is instructive to compare Michelle Cahill’s third collection, The Herring Lass, with her rather different second one, Vishvarupa. The latter was primarily concerned with Hindu religion and mythology, written from an ‘outsider’s’, if slightly privileged, angle. Cahill (with Indian ancestry) was born in Kenya, grew up in England and moved to Sydney in her teens.' (Introduction)
'Michelle Cahill is well-known to contemporary Australian readers as a poet, editor and fiction writer. She is the winner of the 2017 UTS Glenda Adams Award for New Writing (one of the NSW Premier’s Literary Awards), the Val Vallis Award, and the Hilary Mantel International Short Story Prize, and has been shortlisted for other major prizes. The Herring Lass is Cahill’s fourth collection of poetry, and her first with a UK-based publisher. The transition from an Australian publisher (Cahill’s third, Vishvarupa, was published by Five Islands Press) to a British publisher (Arc) should bring Cahill’s work to greater prominence within the global Anglophone reading community. The front cover of The Herring Lass reproduces Winslow Homer’s The Fisher Girl (1894), introducing the themes of female strength, endurance and watchfulness, and creating unity with the collection’s title and title-poem. The back cover features praise quotes from Sarah Holland-Batt and John Kinsella, emphasising Cahill’s status as one of Australia’s leading poets. Indeed, Cahill is widely published and anthologised.' (introduction)
'Michelle Cahill is well-known to contemporary Australian readers as a poet, editor and fiction writer. She is the winner of the 2017 UTS Glenda Adams Award for New Writing (one of the NSW Premier’s Literary Awards), the Val Vallis Award, and the Hilary Mantel International Short Story Prize, and has been shortlisted for other major prizes. The Herring Lass is Cahill’s fourth collection of poetry, and her first with a UK-based publisher. The transition from an Australian publisher (Cahill’s third, Vishvarupa, was published by Five Islands Press) to a British publisher (Arc) should bring Cahill’s work to greater prominence within the global Anglophone reading community. The front cover of The Herring Lass reproduces Winslow Homer’s The Fisher Girl (1894), introducing the themes of female strength, endurance and watchfulness, and creating unity with the collection’s title and title-poem. The back cover features praise quotes from Sarah Holland-Batt and John Kinsella, emphasising Cahill’s status as one of Australia’s leading poets. Indeed, Cahill is widely published and anthologised.' (introduction)
'It is instructive to compare Michelle Cahill’s third collection, The Herring Lass, with her rather different second one, Vishvarupa. The latter was primarily concerned with Hindu religion and mythology, written from an ‘outsider’s’, if slightly privileged, angle. Cahill (with Indian ancestry) was born in Kenya, grew up in England and moved to Sydney in her teens.' (Introduction)
