Issue Details: First known date: 2014... 2014 Gallows Humour and Stereotyping in the Nyungar Writer Alf Taylor's Short Fiction : A White Cross-Racial Reading
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'I find Aboriginal humour powerful and compelling, and in this essay I want to address the ways in which it compels and is taken up by white readers such as myself. This is not to assume that I occupy the position of a universal reader or that white readers such as myself are the definitive or primary audience for Aboriginal literature. Aboriginal literature convenes many different kinds of audiences — including Aboriginal and other non-white audiences —locally, nationally, and globally. Its humour is polysemous and fluid, and speaks to this range of audiences in a variety of ways. Given its slipperiness and semantic complexity, there are dimensions of Aboriginal literary humour that inevitably elude me. In this essay I speculate, as a white reader, about ways it renegotiates cross-racial relationality.'

Source: p.234.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Decolonizing the Landscape : Indigenous Cultures in Australia Beate Neumaier (editor), Kay Schaffer (editor), Amsterdam : Rodopi , 2014 8115701 2014 anthology criticism

    'How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question.

    'Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these creative works transcends categorical boundaries of Western art, aesthetics, and literature, demanding new processes of reading and response. Other contributors address works by non-Indigenous writers and filmmakers such as Stephen Muecke, Katrina Schlunke, Margaret Somerville, and Jeni Thornley, all of whom actively engage in questioning their complicity with the past in order to challenge Western modes of knowledge and understanding and to enter into a more self-critical and authentically ethical dialogue with the Other.

    'In probing the limitations of Anglo-European knowledge-systems, essays in this volume lay the groundwork for entering into a more authentic dialogue with Indigenous writers and critics.' (Publication summary)

    Amsterdam : Rodopi , 2014
    pg. 233-254
Last amended 6 Apr 2017 11:58:12
233-254 Gallows Humour and Stereotyping in the Nyungar Writer Alf Taylor's Short Fiction : A White Cross-Racial Readingsmall AustLit logo
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