'Bennelong is a dance theatre production that explores the story of Woollarawarre Bennelong (Bennilong, Baneelon) (c1764-1813), a Wangul man of the Eora nation who lived in the Port Jackson area at the time of the British first settlement. Today, Bennelong is one of the most celebrated and mythologised Aboriginal individuals from the days of early settlement. His wide notoriety is remarkable - not only for the stories about his interactions and relationships with the British, but for the amount of primary source material that refers to him in notebooks and diaries of several first fleet officers, as well as Governor Arthur Phillip himself.
'Bennelong’s story has been told and re-told many times over by historians, novelists and screenwriters, and his image has been depicted by artists from early times to the present in paintings, drawings and other media. Numerous geographical locations around Australia are named in his honour. Perhaps the most well-known ‘place’ name is Bennelong Point, where the iconic Sydney Opera House stands.
'Bangarra Dance Theatre’s unique telling of Bennelong’s story is imagined through the perspective of Bennelong himself as well as other Aboriginal people of the time. The work explores his personal character, his conflicts, his relationships, his community, and his standing within that community.
'Bangarra’s production of Bennelong is not a historical recount, nor is it a literal translation of events. The work looks between the lines and layers of the narrative that has gathered around this one man, and beyond the common perceptions that have prevailed in regard to Bennelong the man and his unique place in our post-colonial history.
'We are mindful that we look back to Bennelong’s time through the filter of our contemporary consciousness - what we know now is always superimposed over what we read about First Contact times and how we imagine the reality of those times.
'We hope to ignite audiences’ imaginations and focus their thoughts on the enormous impact brought to Aboriginal and Torres Strait Islander people through European settlement.'
Additional Awards:
Nominations:
Best Costume Design (Jennifer Irwin), Helpmann Awards, 2018.
Wins:
Best Lighting Design (Nick Schlieper), Helpmann Awards, 2018.
Best Scenic Design (Jacob Nash), Helpmann Awards, 2018.
Best Male Dancer in a Ballet, Dance or Physical Theatre Production (Beau Dean Riley Smith), Helpmann Awards, 2018.
Performed at Arts Centre Melbourne 7-16 September 2017. Presented by Canberra Theatre Centre and Bangarra Dance Theatre
'The story of Bennelong - one of the first Aboriginal men to be captured and taken from his people - will be told in regional Australia next year.'
'To celebrate the year’s memorable plays, films, concerts, operas, ballets, and exhibitions, we invited twenty-six critics and arts professionals to nominate some personal favourites.' (Introduction)
'Despite rave reviews and a sell-out season of their most-recent production, Bennelong at the Sydney Opera House, dancer and choreographer Deborah Brown of the world-renown Indigenous dance company Bangarra said she was 'really nervous' about performing their 2015 hit show I.B.I.S. on Thursday Island on August 7.'
'The 14 shows of the Canberra Theatre Centre 2017 Collected Works season, which was announced on Monday, October 17, will be bookended by two musicals. ...'
'Some historians have begun to question the enduring and tragic touchstones of the Aboriginal warrior’s life.'
'The new generation of Indigenous creatives are vital. They stand on the shoulders of our ancestors, and build on 40,000 years of history.' (Publication summary)
'The article reviews the theatrical production "Bennelong," by the Bangarra Dance Theatre at the Sydney Opera House in Australia'