Claire G. Coleman Claire G. Coleman i(9648274 works by)
Born: Established: Perth, Western Australia, ;
Gender: Female
Heritage: Aboriginal ; Aboriginal Noongar / Nyoongar / Nyoongah / Nyungar / Nyungah / Noonygar ; Aboriginal Wirlomin
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BiographyHistory

Claire G. Coleman is a Noongar woman whose family have belonged to the south coast of Western Australia since long before recorded history. She writes fiction, essays, poetry and art criticism while living in Naarm (Melbourne) and travelling around Australia. Born in Whadjuk Noongar Boodjar (Perth), she has lived most of her life in Victoria and on the road.

During an extended circuit of the continent, she wrote her debut novel, Terra Nullius (2017), which was influenced by her travels. The novel artfully blends historical and speculative fiction to tell the story of an all too familiar Australia. It was published by Hachette Australia and republished in North America by Small Beer Press. She has since won a Black&Write! Indigenous Writing Fellowship for Terra Nullius.

Claire's second novel, The Old Lie (2019), takes readers to a familiar world to again ask them what we have learned from the past. Her first non-fiction book, Lies, Damned Lies (2021), unpacks the effects of Australia’s colonial history and won her the University of Queensland Non-Fiction Book Award. Her fourth book, Enclave, is a powerful dystopian allegory that was published by Hatchette Australia in 2022. 

In May 2020, it was announced that Claire was one of the participants in Malthouse Theatre's Malcolm Robertson Writers Program, writing a play called Black Betty at the End of the World. Since mid-2020 she has also been a member of the cultural advisory committee for Agency, a not-for-profit Indigenous arts consultancy (https://agencyprojects.org/). 

Source: https://clairegcoleman.com/index.html 

Exhibitions

Most Referenced Works

Personal Awards

Awards for Works

Blame Ireland i "I blame Ireland", 2022 single work poetry
— Appears in: Overland , Summer no. 245 2022; (p. 92)
2020 shortlisted Queensland Poetry Festival Awards Oodgeroo Noonuccal Indigenous Poetry Prize
y separately published work icon Enclave Sydney : Hachette Australia , 2022 24397741 2022 single work novel

'These are troubling times. The world is a dangerous place,' the voice of the Chairman said. 'I can continue to assure you of this: within the Wall you are perfectly safe.'

'Christine could not sleep, she could not wake, she could not think. She stared, half-blind, at the cold screen of her smartphone. She was told the Agency was keeping them safe from the dangers outside, an outside world she would never see.

'She never imagined questioning what she was told, what she was allowed to know, what she was permitted to think. She never even thought there were questions to ask.

'The enclave was the only world she knew, the world outside was not safe. Staying or leaving was not a choice she had the power to make. But then Christine dared start thinking . . . and from that moment, danger was everywhere.

'In our turbulent times, Claire G. Coleman's Enclave is a powerful dystopian allegory that confronts the ugly realities of racism, homophobia, surveillance, greed and privilege and the self-destructive distortions that occur when we ignore our shared humanity.'  (Publication summary)

2023 longlisted Miles Franklin Literary Award
y separately published work icon Lies, Damned Lies Lies, Damned Lies : A Personal Exploration of the Impact of Colonialism Ultimo : Ultimo Press , 2021 21618576 2021 single work autobiography

'"This is a difficult piece to write. It cuts closer to the bone than most of what I have written; closer to my bones, through my blood and flesh to the bones of truth and country; there is truth here, not disguised but in the open and that truth hurts."

'In Lies, Damned Lies acclaimed author Claire G. Coleman, a proud Noongar woman, takes the reader on a journey through the past, present and future of Australia, lensed through her own experience. Beautifully written, this literary work blends the personal with the political, offering readers an insight into the stark reality of the ongoing trauma of Australia’s violent colonisation.

'Colonisation in Australia is not over. Colonisation is a process, not an event – and the after-effects will continue while there are still people to remember it.'

Source: Publisher's blurb.

2022 winner Queensland Literary Awards Non-Fiction Book Award
Last amended 24 Oct 2024 11:08:55
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