The Trade Unions established a Mary Gilmore Award in 1956 to encourage literature 'significant to the life and aspirations of the Australian People'. In the late 1950s, it was sponsored by the May Day Committees of Newcastle, Melbourne and Sydney.
Although the award has been given to many kinds of works over the years, it has been exclusively a poetry award since 1985. Until 1999, it was awarded to the best first book of poetry published in the previous calendar year. From 1999 to 2016, it was awarded to the best first book of poetry in the previous two calendar years. Since 2016, it has been awarded to a poet’s first book which contains 32 or more pages of poetry.
It is currently administered by the Association for the Study of Australian Literature (ASAL).
(Publication summary)
'Jelena Dinic came to Australia during the collapse of the war-torn former Yugoslavia and her poems are created from fractured landscapes. Winner of the 2019 Adelaide Festival Unpublished Manuscript Award, this collection beautifully charts the territory where cultures, languages and family life intersect. Dinic publishes in both Serbian and English.'
Source : publication summary
'As I write this, fires are burning out of control on Kangaroo Island and all along the east coast of Australia. Lives, homes, half a billion animals: gone. As I write this, I am awaiting a blood sunset, the kind that filters the land through a lens of pink, helping everything to complement the colour of my acrylic nails. As I write this, citizens of the USA (and the world) are holding their collective breath awaiting retaliation from the Iranian army in response to the assassination of Qasem Soleimani. As I write this, I can tell the three avocados in the fruit bowl beside me will all ripen tomorrow morning. As I write this, I am wondering if I can afford to renew my gym membership and what will happen to my body if I don’t.
'As I write this, I question the necessity of a poem – written on and with and for atoms, spoken through waves – combustible, ephemeral, biodegradable. Each poem in this book exists in two forms, both inhabiting a unique state of decay or decomposition (perhaps re-composition?). How you choose to engage is entirely up to you. Read this book back to front, front to back, upside down, right way round. Start at the beginning, in the middle; breathe it in one word at a time. Use it as a doorstop, as Tinder, as rolling paper – but read it first if only to revel in its potential/futility.
'–Em König'
(Source: publisher's blurb)
'Thom Sullivan’s debut collection of poems, Carte Blanche, traverses the exactitudes of place and time – from a distinctively Australian suburbia, to farming landscapes in South Australia’s Mount Lofty Ranges, to Australia’s renowned Great Ocean Road, and the interior terrains of consciousness and perception. The poems are memorable, succinct in their expression, precise in their effect, and notable for their innovative use of syntax and punctuation. Carte Blanche is a collection of poems that’s finely realised and keenly felt.'
Source: Publisher's blurb.