Cirrus@Austlit

'A wonderful emotional rollercoaster of a novel about two young men, each on a journey of discovery. It's part coming-out story, part falling-in-love story, part relationship breakdown story, part extended Greek family story. It's warm and funny, a little bit heartbreaking, and completely satisfying.

'Seventeen-year-old Harvey dreams of breaking free from his life. But when the relationship between his dads breaks down, he's hauled across Australia on a red-eye flight from Perth to Sydney to live on top of a café with the extended Greek family he barely knows - a family who are about to get some very sad news.

'Sotiris has achieved his dream. He's a published author at seventeen. But in reality, the dream … kind of sucks. When he meets a cute, wise-cracking bookseller named Jeremy, however, he discovers a new and unexpected dream. One he's not sure he's prepared for.

'Harvey's and Sotiris's stories converge on the same street in Darlinghurst, in this beautifully heartfelt novel about how our dreams shape us, and what they cost us.' (Publication summary) 

'This tender YA comic is perfect for fans of Raina Telgemeier's Drama and Shannon Hale and LeUyen Pham's Real Friends who are ready to graduate to their first teen graphic novel.

'It's the first day of Grade Ten, and Winifred is going to reinvent herself. Now that her two best (and only) friends have transferred to a private school, Win must navigate high school on her own. Luckily, she isn't alone for long. In art class, she meets Oscar and April. They don't look or act like the typical teenagers in her town: they're creative, a little rebellious and seem comfortable in their own skin in a way that Win can only dream of.

'But even though Winifred is breaking out of her shell, there's one secret she can't bear to admit to April and Oscar, or even to herself - and this lie threatens everything. Win needs to face her own truths, but she doesn't need to do it alone. Through the healing power of clandestine sleepovers, op-shopping and zine publishing, Win finds and accepts what it means to be herself.' (Publication summary)

'What does it mean to be the one left behind?

'When sixteen-year-old Yin Mitchell is abducted, the news reverberates through the whole Year Ten class at Balmoral Ladies College. As the hours tick by, the girls know the chance of Yin being found alive is becoming smaller and smaller.

'Police suspect the abduction is the work of a serial offender, with none in the community safe from suspicion. Everyone is affected by Yin’s disappearance—even scholarship student Chloe, who usually stays out of Balmoral drama, is drawn into the maelstrom. And when she begins to form an uneasy alliance with the queen of Year Ten, Natalia, things get even more complicated.

'Looking over their shoulders at every turn, Chloe and Natalia must come together to cope with their fear and grief as best they can. A tribute to friendship in all its guises, The Gaps is a moving examination of vulnerability and strength, safety and danger, and the particular uncertainty of being a young woman in the world.'

Source: Publisher's blurb.

'Dylan and her adored French mother dream of one day sailing across the ocean to France. Paris, Dylan imagines, is a place where her black skin won’t make her stand out, a place where she might feel she belongs.

'But when she loses her mother in a freak accident, Dylan finds herself on a very different journey: a road trip across outback Australia in the care of her mother’s grieving boyfriend, Pat. As they travel through remote towns further and further from the water that Dylan longs for, she and Pat form an unlikely bond. One that will be broken when he leaves her with the family she has never known.

'Metal Fish, Falling Snow is a warm, funny and highly original portrait of a young girl’s search for identity and her struggle to deal with grief. Through families lost and found, this own-voices story celebrates the resilience of the human heart and our need to know who we truly are.' (Publication summary)

'Biz knows how to float. She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, who loves her so hard, and who shouldn’t be here but is. So Biz doesn’t tell anyone anything. Not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And she doesn’t tell anyone about her dad. Because her dad died when she was seven. And Biz knows how to float, right there on the surface–normal okay regular fine.

'But after what happens on the beach–first in the ocean, and then in the sand–the tethers that hold Biz steady come undone. Dad disappears and, with him, all comfort. It might be easier, better, sweeter to float all the way away? Or maybe stay a little longer, find her father, bring him back to her. Or maybe–maybe maybe maybe–there’s a third way Biz just can’t see yet.'

Source: Publisher's blurb.