Cirrus@Austlit

'Jane Austen, eat your heart out

'It is a truth universally acknowledged, that a down-on-her-luck mother (who has just lost her home to a shady online suitor) must send her only son to Sydney to find and marry a wealthy man.

'Jane Austen’s drawing rooms and country estates are switched out for the dizzying dancefloors and leafy avenues of post-plebiscite Sydney in Lewis Treston’s outrageously funny Hubris & Humiliation. This laugh-out-loud comedy is a kaleidoscopic pastiche of Jane Austen’s writing and an outrageous satire of life and love in the Emerald City’s pumping gay scene. 

'Elliott, a naive wallflower from the Sunshine State, spends all his time pining for his best friend until he’s unexpectedly packed up and shipped off to his fabulously wealthy uncle’s Kirribilli mansion to pick up a few dating tips, and bag the man of his (mother’s) dreams. A series of increasingly ludicrous and high-stakes events take Elliott and his stowaway sister Paige from the rainbow mile, all the way to Berlin, and back again in a high-camp exploration of love, family and commitment.'

Source: Publisher's blurb.

'A mother, in a time of war. She loses members of her family, one after the other – but she never loses hope. A rich, sweeping new play from the team that made the acclaimed Counting and Cracking. The Jungle and the Sea leans on two great pillars of literature – Antigone and the Mahābhārata – to forge a new story about surviving loss and the possibility of reconciliation.'

Source: Publisher's blurb.

'Seven senior law men, in fine suits, meet on the shores of a harbour to discuss the 11 large boats that have just arrived. Should they be welcomed to country or should these seven clan representatives of the Dharug nation, people from what became known as Sydney, combine to get rid of the unwelcome visitors? They take a vote – it must be unanimous – and one of them reckons the visitors mightn’t be all bad. This is a powerful, imaginative response to the beginnings of modern Australia.' (Production summary)

'On the banks of the Georges River, Radha and her son Siddhartha release the ashes of Radha’s mother – their final connection to the past, to Sri Lanka and its struggles. Now they are free to embrace their lives in Australia. Then a phone call from Colombo brings the past spinning back to life, and we are plunged into an epic story of love and political strife, of home and exile, of parents and children

'Counting and Cracking is a big new play about Australia like none we’ve seen before. This is life on a large canvas, so we are leaving Belvoir St and building a Sri Lankan town hall inside Sydney Town Hall. Sixteen actors play four generations of a family, from Colombo to Pendle Hill, in a story about Australia as a land of refuge, about Sri Lanka’s efforts to remain united, about reconciliation within families, across countries, across generations.'

Source: Belvoir St Theatre.

'A great Australian novel. A landmark theatre event. A portrait of Sydney as it once was.

'The world premieres of The Harp in the South: Part One and The Harp in the South: Part Two are designed to be enjoyed as one unforgettable, epic theatrical experience.

'This major new work is one of the most ambitious productions STC has ever created. Celebrated playwright Kate Mulvany has adapted novelist Ruth Park’s revered Australian trilogy – Missus, The Harp in the South and Poor Man’s Orange – and spread these beloved stories across two equally ambitious plays.

'The two parts stand alone, but together they offer over five hours of monumental, exuberant theatre. It’s a moving family saga and a celebration of Sydney in all its funny, gritty glory.'

Source: Publisher's blurb.