Cirrus@Austlit

'With her first full-length poetry collection, Sara M Saleh introduces us to the polychromatic lives of girls and women as they come into being amidst war, colonial and patriarchal violence, and exile and migration. This searing work interrogates and represents the complexity of Arab-Australian Muslim women’s identities as they negotiate an irresistible world full of music and family, grit and grief, love and loss.

'Saleh’s poetry is not only an inherently political act, but a deeply personal one, charged with multilayered conversations and meditations amongst three generations of women in Sara’s family. Her poems dazzle with an incantatory force of spirit, survival and selfhood, proving without a doubt that Saleh is one of this country’s most compelling, contemporary poets.' (Publication summary)

(Publication summary)

'Beginning in Sight is Theodore Ell’s first poetry collection. It brings together work written over more than ten years, tapping into the memories, life-stories and mirror-images that resist time and recouple bygone experience to the drifting world of today. The poems branch out from Ell’s original home of Sydney into its hinterland, the coast and the Hunter, snatching moments of respite and pleasure in troubled times, before finding new bearings in the Canberra region. Haunted by the presence of vanished lives and histories, these are poems of perseverance, endurance and a past that seems to know what is coming.'

Source: Publisher's blurb.

'‘I blame Madonna’ is the arresting opening of one of the poems in Audrey Molloy’s remarkable and distinctive first collection, The Important Things. In an unusual display of different forms the book resounds with echoes of other writers but is the work of a true original. From ‘What We Learned at Loreto’ to ‘Lockdown Boogie’ it explores the surreal, the dreamt and the down-to-earth everyday in images laced with humour, science and sex. It chronicles the end of a marriage and the discovery of new love and renewed passion. ‘Know you tried’ concludes the book’s opening section. Its second part comprises a sequence of poems that mourn her mother, savour memories and rue missed opportunities. The Important Things is a woman’s tale reported in feisty, sensual and beautiful poetry.'

Source: Publisher's blurb.

'This is a captivating and varied collection. No matter what Ella Jeffery turns her attention to, her subjects find sharp resolution in language that has been subtly crafted and beautifully honed. These poems carry their insights deftly and intensely, her lens always focussed on those alchemical images that move her work from sensation into perception, from observation into shimmering awareness. Everything shines with the gloss of her highly polished linguistic and imaginative skills. Her work is a triumph and a delight.
– Judith Beveridge

'As its title suggests, Dead Bolt is a meditation on home and its ability to become suddenly unhomely or uncanny. Ella Jeffery’s poetry ranges from the plangent and elegiac to the comic and satirical. It attends to both the eye and the ear; its extraordinary imagery is matched by a marvellous attention to poetry’s sonic capacity. Dead Bolt is a compelling, exquisitely realised debut. 
– David McCooey

'I love Ella Jeffery’s poetry. Like Elizabeth Bishop’s, it is companionable and unshowily surprising, and has perfect timing. Jeffery is clear-eyed and has a gift for the exact word, one that opens a rift. This is a masterly and original first collection—a major work.
– Lisa Gorton'

Source : publisher's blurb

'blur by the is a collection of fractures that make not quite a whole. It is a giving of permission to the self, to exist as messily as ( i s ). These poems are a record of navigation through longing and dis [ place ] ment of the body and of place, a shattering of expectation(s) of the self and of family, often through dreams, food and eroticism. blur by the is an attempt at freedom.'

Source: Publisher's blurb.