The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
Notes
-
Includes reference to the influence of Ernest Hemingway and Thomas Hardy on Peter Cowan.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
The Fence in Australian Short Fiction : 'A Constant Crossing of Boundaries'?
2010
single work
criticism
— Appears in: Australian Cultural History , vol. 28 no. 2/3 2010; (p. 141-153) 'This article contributes to discussions about the significance of fences in the Australian social imaginary. It undertakes a historical and intertextual reading of eight short stories that take the fence as their titular symbol, and explores how the fence story is rewritten at various moments of change in twentieth-century Australia. Developments in narrative form and representation are related to changes in the cultural and political contexts, through a critical engagement with Iser's argument that the institution of literature works through a 'constant crossing of the boundary between the real and the imaginary'. As an Australian icon, the fence image illustrates the continuing power of settler discourse; however, the literary reworkings of the fence story disclose new visions of identity and otherness.' (Author's abstract)
-
The Fence in Australian Short Fiction : 'A Constant Crossing of Boundaries'?
2010
single work
criticism
— Appears in: Australian Cultural History , vol. 28 no. 2/3 2010; (p. 141-153) 'This article contributes to discussions about the significance of fences in the Australian social imaginary. It undertakes a historical and intertextual reading of eight short stories that take the fence as their titular symbol, and explores how the fence story is rewritten at various moments of change in twentieth-century Australia. Developments in narrative form and representation are related to changes in the cultural and political contexts, through a critical engagement with Iser's argument that the institution of literature works through a 'constant crossing of the boundary between the real and the imaginary'. As an Australian icon, the fence image illustrates the continuing power of settler discourse; however, the literary reworkings of the fence story disclose new visions of identity and otherness.' (Author's abstract)
Last amended 9 Dec 2011 16:12:24
113-121
Peter Cowan's Landscapes of Silence
89-97
Peter Cowan's Landscapes of Silence
Export this record
