'Nature writing has never been more popular. In recent years it has become an international publishing phenomenon, with titles such as Helen Macdonald's 'H is for Hawk' (Jonathan Cape, 2014), Robert Macfarlane's 'Landmarks' (Hamish Hamilton, 2015), Amy Liptrot's 'The Outrun' (Canongate, 2016) and Sy Montgomery's 'How to be a Good Creature' (Houghton Mifflin Harcourt, 2018) scoring significant worldwide success. Australia, too, has its own rich history of nature writing. For more than a century, nature writing was 'the' primary literature for writing the country; a vital part of the ongoing process, for settler-Australians, of coming to feel at home in what were initially unfamiliar environments, and of creating a sense of national identity around them. Yet, today, nature writing is not widely known or understood here, and it's apparent that more Australians have read 'H is for Hawk' (18,000 copies sold so far according to Bookscan) than any of our own contemporary works.' (Publication abstract)
'Nature writing has never been more popular. In recent years it has become an international publishing phenomenon, with titles such as Helen Macdonald's 'H is for Hawk' (Jonathan Cape, 2014), Robert Macfarlane's 'Landmarks' (Hamish Hamilton, 2015), Amy Liptrot's 'The Outrun' (Canongate, 2016) and Sy Montgomery's 'How to be a Good Creature' (Houghton Mifflin Harcourt, 2018) scoring significant worldwide success. Australia, too, has its own rich history of nature writing. For more than a century, nature writing was 'the' primary literature for writing the country; a vital part of the ongoing process, for settler-Australians, of coming to feel at home in what were initially unfamiliar environments, and of creating a sense of national identity around them. Yet, today, nature writing is not widely known or understood here, and it's apparent that more Australians have read 'H is for Hawk' (18,000 copies sold so far according to Bookscan) than any of our own contemporary works.' (Publication abstract)
