form y separately published work icon The Happy Family single work   radio play   crime   - Two acts; 30 min.
Issue Details: First known date: 1954... 1954 The Happy Family
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AbstractHistoryArchive Description

'Robert Plant is hard, selfish, disagreeable - but even so, he has a right to live. On Christmas Eve, 1949, suspecting that someone intended to injure him, he asks a girl friend, Joan Power, to ring him at his office at regular intervals, but despite this precaution, Robert Plant dies. To police questioning, his wife and sons present what seem to be unshakeable alibis - and yet why does Inspector Lindsay Banks, of the New South Wales Police Force, show more than ordinary interest in the nicotine stains on the boys' fingers? Once again, Members of "The Crime Club" are assured of enthralling listening as Inspector Blake unravels the case of "The Happy Family".'

Source: Episodic synopsis held in the Crawford Collection at the AFI Research Collection.

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship.

Production Details

  • Broadcast on Melbourne radio station 3DB in 1954.
  • Narrated by Roland Strong.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1954 .
      Extent: 25p.
      (Manuscript) assertion
      Note/s:
      • '50' is written on the first page of act one in blue ink.
      • There are no others signs of annotation on this copy of the script.
      • A note at the bottom of the last page of act one times it at 13 min., 55 secs and tentative material at 1 min., 9 secs. No timing is given for act two.
      • The Crawford Collection also contains the following additional material:
        1. Act one only: 10pp., heavily annotated. Timed at 13 min., 55 secs, with tentative material at 1 min., 9 secs.
        2. Act two only: 12 pp., heavily annotated. Timed at 14 min., 15 secs, with tentative material at 1 min., 24 secs.
        3. Act two only: second copy, 12pp., annotated.
        4. Act two only: incomplete copy, 3pp. only (p.8, p.9, and p.12), extremely heavily annotated.
      Series: form y separately published work icon The Crime Club John Ormiston Reid , Roland Strong , Warren Glasser , Jeffrey Underhill , Crawford Productions (publisher), Melbourne : Crawford Productions , 1953-1954 Z1936679 1953 series - publisher radio play crime detective

      A 52-episode radio series, The Crime Club was produced by Dorothy Crawford for Hector Crawford Productions in 1953.

      The program profile with which Crawford Productions promoted the program (held in the Crawford Collection at the AFI Research Collection) sums up the program as follows: 'Each episode will be the true story of a world-famous detective and his most important case'.

      In promoting The Crime Club, Crawford Productions consciously positions it in close relation to the highly successful radio serial D.24 (a fore-runner to its television program Homicide), emphasising that D.24's 'extraordinary success' boded well for The Crime Club:

      'When first broadcast twelve months ago, "D.24" immediately attracted a large audience. The most recent Survey shows that it has completely out-stripped every other programme on the air. It has more listeners than even the highly-priced Variety and Quiz programmes, and we believe the audience figures are still rising.

      While we could not guarantee that "The Crime Club" would achieve the unique position of "D.24", it has many features similar in entertainment value. It has not the advantage of home locale, but it will draw from a much wider choice of material and have a greater degree of contrast in background and types.'

      The relationship between The Crime Club, D.24, and the Victoria Police Force is also used to emphasise the salebility of the program:

      '"D.24" has had quite dramatic results for the Victoria Police Force in the fields of public relations and recruiting. Hence the fact that the Police Department has twice renewed its contract and has discontinued all other forms of publicity and advertising.

      'Having attracted a wide and loyal audience, "The Crime Club" must certainly become an equally successful vehicle for its Sponsor's message.'

      The same inter-relationship also underscores the argument that The Crime Club performs a public service:

      'Our recent close assoication with the Victoria Police Force leaves us in no doubt that they are diligent, enthusiastic, well-trained and organized, and badly in need of all the public support possible. "D.24" is doing much towards achieving such support.

      '"The Crime Club", which will present the detective in his true light, must certainly make a contribution to this most worthwhile objective.'

      The program outline emphasises that in order to ensure that 'All "Crime Club" stories ... will be authentic', they have established a research network between Melbourne, France, and England.

      In Melbourne, 'The complete facilities of the Victoria Police Force are, of course, at our service.' In addition, 'We are also in close touch with Dr. Norval R. Morris, Ph.D. (Lond.), LL.M., Secretary of the Department of Criminology and Senior Lecturer in Law at the University of Melbourne. His advice and guidance on the "Crime does not pay" angle will be most valuable.'

      For France, 'we have appointed a "Crime Club" reporter in Paris. He will work in close collaboration with Detective-Inspector Jacques Delarue of the Surete, and will provide stories from France and Europe generally.'

      The French Crime Club reporter is not named in the program profile, but their equivalent in England (who 'will cover the detectives of the British Isles') was English detective novelist John Creasey, whose work had already been produced for radio by Dorothy Crawford in the long-running Inspector West serial.

      According to the program profile, the detectives covered in the program included:

      • Detective Inspector Frank Froest (Metropolitan Police CID/Scotland Yard)

      • Gustave Mace (Sûreté)

      • Chief Detective-Inspector Elias Bower (Scotland Yard)

      • Chief Detective-Inspector Frank Fox (Scotland Yard)

      • Professor Archibald Reiss (University of Lausanne)

      • Inspector William Melville (Special Branch, CID)

      • Detective-Inspector John Wilson Murray (Canadian Detective Service)

      • Divisional Detective-Inspector Edward Drew (Metropolitan Police CID)

      • Inspector Trevor Fitch (Special Branch, CID)

      • Detective-Inspector Richard Tanner (Scotland Yard)

      • Inspector Nathanial Druscovich (Scotland Yard)

      • M.F. Goron (Paris Detective Service)

      • Chief Detective-Inspector Gough (Scotland Yard)

      • Chief Detective-Inspector Berrot (Scotland Yard)

      • Senior Chief Detective John Tunbridge (Scotland Yard)

      • Rene Cassellari (Sûreté)

      • Chief Detective Inspector Leach (Scotland Yard)

      • Detective-Inspector Maurice Moser (Metropolitan Police CID)

      • Monsieur Canler (Sûreté)

      • Chief Detective-Inspector Jervis (Scotland Yard)

      • Chief Detective-Inspector Henry Marshall (Scotland Yard)

      Number in series: 50

      Holdings

      Held at: AFI Research Collection
      Note:
      Uncatalogued as at May 2013
Last amended 15 May 2013 13:37:21
Settings:
  • New South Wales,
  • 1949
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