form y separately published work icon Mr Coffin's Box single work   radio play   crime   - Two acts; 30 min.
Issue Details: First known date: 1954... 1954 Mr Coffin's Box
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AbstractHistoryArchive Description

'One of the famous crimes of the 1860's. The body of Mr. Joshua Brown, an elderly bank official, was found on the railway line between Bow and Hackney Wick; he had been murdered in a compartment of the 9.50 from Fenchurch Street.

'The killer made many stupid errors, the first of which was to exchange the murdered man's watch-chain for a new one at the shop of Mr. John Coffin, a jeweller in Cheapside. Mr. Coffin put the new chain in a box with his name on it; through this box, the Police obtained the name and address of Hermann Richter, a young German tailor.

'When the Police called to interview him, Richter had gone to New York on a sailing ship. The police went by steamer and got there first. When the attempted to arrest him, he claimed immunity as he was in a foreign country and long legal proceedings were necessary before the English Police secured an extradition order. Richter was brought back to England, where the Police put forward enough evidence to convict him. He was publicly executed on November 16th, 1964.'

Source: Episodic synopsis held in the Crawford Collection at the AFI Research Collection.

Note: Although this episode is based on a true story (famous as the first murder on a British train), the specific details have been modified slightly. The victim (murdered, as stated, in the 9.50 train from Fenchurch Street Station on 9 July 1864) was an elderly bank official, but named Thomas Briggs. The man executed for his murder was a German tailor, but named Franz Müller. And the jeweller through which Müller was identified was named John Death.

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship.

Production Details

  • Broadcast on Melbourne radio station 3DB at 9pm on Thursday 7 January 1954 (Argus 7 January 1954, p.11).
  • Narrated by Roland Strong.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1954 .
      Extent: 20p.
      (Manuscript) assertion
      Note/s:
      • '29' is written in lead pencil on the first page of act one and in black ink on the first page of act two.
      • There are no other signs of annotation on this copy of the script.
      Series: form y separately published work icon The Crime Club John Ormiston Reid , Roland Strong , Warren Glasser , Jeffrey Underhill , Crawford Productions (publisher), Melbourne : Crawford Productions , 1953-1954 Z1936679 1953 series - publisher radio play crime detective

      A 52-episode radio series, The Crime Club was produced by Dorothy Crawford for Hector Crawford Productions in 1953.

      The program profile with which Crawford Productions promoted the program (held in the Crawford Collection at the AFI Research Collection) sums up the program as follows: 'Each episode will be the true story of a world-famous detective and his most important case'.

      In promoting The Crime Club, Crawford Productions consciously positions it in close relation to the highly successful radio serial D.24 (a fore-runner to its television program Homicide), emphasising that D.24's 'extraordinary success' boded well for The Crime Club:

      'When first broadcast twelve months ago, "D.24" immediately attracted a large audience. The most recent Survey shows that it has completely out-stripped every other programme on the air. It has more listeners than even the highly-priced Variety and Quiz programmes, and we believe the audience figures are still rising.

      While we could not guarantee that "The Crime Club" would achieve the unique position of "D.24", it has many features similar in entertainment value. It has not the advantage of home locale, but it will draw from a much wider choice of material and have a greater degree of contrast in background and types.'

      The relationship between The Crime Club, D.24, and the Victoria Police Force is also used to emphasise the salebility of the program:

      '"D.24" has had quite dramatic results for the Victoria Police Force in the fields of public relations and recruiting. Hence the fact that the Police Department has twice renewed its contract and has discontinued all other forms of publicity and advertising.

      'Having attracted a wide and loyal audience, "The Crime Club" must certainly become an equally successful vehicle for its Sponsor's message.'

      The same inter-relationship also underscores the argument that The Crime Club performs a public service:

      'Our recent close assoication with the Victoria Police Force leaves us in no doubt that they are diligent, enthusiastic, well-trained and organized, and badly in need of all the public support possible. "D.24" is doing much towards achieving such support.

      '"The Crime Club", which will present the detective in his true light, must certainly make a contribution to this most worthwhile objective.'

      The program outline emphasises that in order to ensure that 'All "Crime Club" stories ... will be authentic', they have established a research network between Melbourne, France, and England.

      In Melbourne, 'The complete facilities of the Victoria Police Force are, of course, at our service.' In addition, 'We are also in close touch with Dr. Norval R. Morris, Ph.D. (Lond.), LL.M., Secretary of the Department of Criminology and Senior Lecturer in Law at the University of Melbourne. His advice and guidance on the "Crime does not pay" angle will be most valuable.'

      For France, 'we have appointed a "Crime Club" reporter in Paris. He will work in close collaboration with Detective-Inspector Jacques Delarue of the Surete, and will provide stories from France and Europe generally.'

      The French Crime Club reporter is not named in the program profile, but their equivalent in England (who 'will cover the detectives of the British Isles') was English detective novelist John Creasey, whose work had already been produced for radio by Dorothy Crawford in the long-running Inspector West serial.

      According to the program profile, the detectives covered in the program included:

      • Detective Inspector Frank Froest (Metropolitan Police CID/Scotland Yard)

      • Gustave Mace (Sûreté)

      • Chief Detective-Inspector Elias Bower (Scotland Yard)

      • Chief Detective-Inspector Frank Fox (Scotland Yard)

      • Professor Archibald Reiss (University of Lausanne)

      • Inspector William Melville (Special Branch, CID)

      • Detective-Inspector John Wilson Murray (Canadian Detective Service)

      • Divisional Detective-Inspector Edward Drew (Metropolitan Police CID)

      • Inspector Trevor Fitch (Special Branch, CID)

      • Detective-Inspector Richard Tanner (Scotland Yard)

      • Inspector Nathanial Druscovich (Scotland Yard)

      • M.F. Goron (Paris Detective Service)

      • Chief Detective-Inspector Gough (Scotland Yard)

      • Chief Detective-Inspector Berrot (Scotland Yard)

      • Senior Chief Detective John Tunbridge (Scotland Yard)

      • Rene Cassellari (Sûreté)

      • Chief Detective Inspector Leach (Scotland Yard)

      • Detective-Inspector Maurice Moser (Metropolitan Police CID)

      • Monsieur Canler (Sûreté)

      • Chief Detective-Inspector Jervis (Scotland Yard)

      • Chief Detective-Inspector Henry Marshall (Scotland Yard)

      Number in series: 29

      Holdings

      Held at: AFI Research Collection
      Note:
      Uncatalogued as at May 2013
Last amended 3 Dec 2013 15:18:31
Settings:
  • c
    United Kingdom (UK),
    c
    Western Europe, Europe,
  • 1860s
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