person or book cover
Script cover page (from the Crawford Collection at the AFI Research Collection)
form y separately published work icon If a Man Calls single work   film/TV   crime  
Issue Details: First known date: 1976... 1976 If a Man Calls
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All Publication Details

      1976 .
      person or book cover
      Script cover page (from the Crawford Collection at the AFI Research Collection)
      Extent: 62p.
      (Manuscript) assertion
      Note/s:
      • The Crawford Collection includes three copies of this script, one held in this file and two filed separately.
      • The script is labelled 'Code 11540' and 'Episode 36' on the cover page. According to a notation in the top right-hand corner of the cover page, this copy of the script was designated for 'Continuity' (which might explain why the script includes wardrobe notes and the file contains continuity photographs).
      • The script is extremely heavily annotated, on both the main pages of the script and on the reverse of pages. The annotations are in lead pencil and blue ink. The lead pencil annotations precede the blue ink annotations, which in some cases are scribbled over the lead pencil notes.
      • In at least one instance (pages 18 and 19), replacement pages have been intruded into the script: these replacement pages are clearly labelled 'Replacement Scenes', have no page numbers, and are themselves heavily annotated. One of them (the replacement page 18) has sellotape running across it, suggesting further alterations.
      • The annotations include everything from stage directions and blocking (the latter usually restricted to the annotations on the reverse of pages) to new dialogue, as well as the deletion of both entire scenes and swathes of dialogue.
      • The file also includes ancillary material (access to some of which is restricted), including:
        1. Six-page casting call sheet.
        2. One-page sheet of 'pick ups' for location shooting on day six.
        3. Thirty continuity photographs (Polaroids), all annotated on the back in lead pencil and/or blue ink: they show costumes, not stage sets.
        4. Cast list: two copies, one annotated in blue ink.
        5. Nineteen pages of wardrobe notes (following the script).
        6. Ten pages of one liner, annotated in blue ink, lead pencil, and red ink.
        7. Four pages of handwritten filming schedule.
        8. Thirteen-page document titled 'Bluey Location Times and Schedules'.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC BLU : 36
Note: Ancillary material held in the Crawford Collection identifies Flanagan as 'first assistant director'.
    • Melbourne, Victoria,: Crawford Productions ; Seven Network , 1977 .
      Extent: 47min., 46 secs (according to the script)p.
      Series: form y separately published work icon Bluey Robert Caswell , Vince Moran , Everett de Roche , James Wulf Simmonds , Tom Hegarty , Gwenda Marsh , Colin Eggleston , David Stevens , Peter A. Kinloch , Keith Thompson , Gregory Scott , Peter Schreck , Denise Morgan , Monte Miller , Ian Jones , John Drew , David William Boutland , Jock Blair , Melbourne : Crawford Productions Seven Network , 1976 Z1815063 1976 series - publisher film/TV crime detective

      According to Moran, in his Guide to Australian Television Series, Bluey (and its Sydney-based rival, King's Men) 'constituted an attempt to revive the police genre after the cancellations of Homicide, Division 4 and Matlock Police'.

      Don Storey, in his Classic Australian Television, summarises the program as follows:

      Bluey is a maverick cop who breaks every stereotype image. He drinks, smokes and eats to excess, and therefore is rather large, but it is his unusual investigative methods that set him apart. He has bent or broken every rule in the book at some stage, to the point where no-one else wants to work with him. But he gets results, and is therefore too valuable to lose, so the powers-that-be banish him to the basement of Russell Street Police Headquarters where he is set up in his own department, a strategem that keeps him out of the way of other cops.

      Moran adds that 'Grills, Diedrich and Nicholson turned in solid performances in the series and the different episodes were generally well paced, providing engaging and satisfying entertainment.'

      The program sold well overseas, especially in the United Kingdom. But though it rated well domestically, it was not the success that the Seven Network had hoped for, and was cancelled after 39 episodes.

      Bluey had an unexpected revival in the early 1990s when selections from the video footage (over-dubbed with a new vocal track) were presented during the second series of the ABC comedy The Late Show as the fictional police procedural Bargearse. (The Late Show had given ABC gold-rush drama Rush the same treatment in series one.)

      Number in series: 36
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