Cirrus@Austlit

'This article explores the epistemological implications of one of the most striking features in Peter Carey's Oscar and Lucinda ([1988]1997): its systematic frustration of the expectations of its readers. Through an examination of its use of narratorial deception and its skilful deployment of irony, the article argues that the novel prevents readers from occupying a detached position in relation to it and its themes. Particular attention is given to its concern with the provisional nature of human ways of seeing, exemplified by the metaphor of glass that is developed throughout the novel. Oscar and Lucinda compels readers to reflect on the subject position they take up in relation to it, and, in so doing, on their implication in cultural systems of knowledge that seek to contain and eradicate what is deemed unruly. The article suggests, ultimately, that the ethical project in Oscar and Lucinda is performative in nature, and that its success relies on the extent to which it is able to alert readers to the limitations of their ways of knowing, and, consequently, the importance of respecting the otherness of others.' (Publisher's abstract)