Cirrus

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Director: Ian Crawford ; Gary Conway

Note: Storey suggests that Crawford was credited as director and Conway as film director.

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work

Publisher: Crawford Productions ; Nine Network

Melbourne, Victoria,: Crawford Productions ; Nine Network , 1969 .

Extent: 47 min. 18secs (as at 22.7.69, according to the script)p.

Series: form y Division 4 Howard Griffiths , Charles E. Stamp , Douglas Tainsh , Luis Bayonas , Everett de Roche , Gwenda Marsh , Ted Roberts , Roger Simpson , Sonia Borg , Colin Eggleston , Michael Harvey , Phil Freedman , John Dingwall , Jonathan Dawson , Ray Chamula , David William Boutland , Tom Mclennan , Ian Jones , Keith Hetherington , Tom Hegarty , David Stevens , Terry Stapleton , Mark Randall , John Orcsik , Don Battye , Melbourne : Crawford Productions , 1969 Z1814717 1969 series - publisher film/TV detective crime Abstract
Division 4, which Don Storey notes in Classic Australian Television was 'the only drama series on Australian television to rival the popularity of Homicide', was created as a vehicle for Gerard Kennedy, who had risen to popularity playing the complicated enemy agent Kragg in spy-show Hunter, after Tony Ward's departure left Hunter's future in doubt.
According to Moran, in his Guide to Australian Television Series:
The series differed from Homicide in being more oriented to the situation and milieu of a suburban police station staffed by a mixture of plainclothes detectives and uniformed policemen. This kind of situation allowed Division 4 to concentrate on a range of crimes, from major ones such as murder to minor ones such as larceny.
Though set in the fictional Melbourne suburb of Yarra Central, 'Sets were constructed that were replicas of the actual St Kilda police station charge counter and CIB room, with an attention to detail that extended to having the same picture hanging on the wall', according to Storey.
Division 4 ended in 1976. Storey adds:
Division 4's axing was a dark day for Australian television, as within months the other two Crawford cop shows on rival networks, Matlock Police and Homicide, were also axed. It was widely believed, and still is, that the cancellation of the three programs was an attempt by the three commercial networks--acting in collusion--to wipe out Crawford Productions, and consequently cripple the local production industry.
Number in series: 30

1969 .

Script cover page (Crawford Collection at the AFI Research Collection)

Div4Ep30CoverScan_FX[equals]o.jpg

Extent: 69p.
(Manuscript) assertion

Note/s:

The script is labelled 'Episode M2' on the cover page. There is no indication of to whom this copy of the script was designated.

The script is annotated in lead pencil. The majority of the annotations are numerical (2, 1 ½, 1 ¼, etc.), and seem to be referring to staging. Some annotations refer explicitly to staging (see, for example, page 8, where the characters’ movement is annotated with 'LEE’S INNER OFFICE'). This is not the only example of this kind of annotation, but these are outnumbered by the numerical annotations.

The final page includes a list of crew credits:
Written by Ian Jones.
Edited by Dorothy Crawford.
Typed by Shirley Ballard, Hilary Burgess, Christine Rook, Margaret Younger.
Checked by Shirley Ballard, Hilary Burgess, Christine Rook, Margaret Younger.
Duplicated by Doreen Arnold.
The space below these for 'Producer's Remarks' has been left blank.

Holdings

Held at: AFI Research Collection

Local Id: SC DIV : 30

Note:
AFI Research Collection record

Subjects:

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