Cirrus

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Director: Ian Crawford ; Ian Bennett

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work

Publisher: Crawford Productions ; Nine Network

Melbourne, Victoria,: Crawford Productions ; Nine Network , 1969 .

Extent: 47 min. 46 secs (as at 24/6/69, according to the script)p.

Note/s:

Storey suggests that Crawford was credited as director and Bennett as film director.

Series: form y Division 4 Howard Griffiths , Charles E. Stamp , Douglas Tainsh , Luis Bayonas , Everett de Roche , Gwenda Marsh , Ted Roberts , Roger Simpson , Sonia Borg , Colin Eggleston , Michael Harvey , Phil Freedman , John Dingwall , Jonathan Dawson , Ray Chamula , David William Boutland , Tom Mclennan , Ian Jones , Keith Hetherington , Tom Hegarty , David Stevens , Terry Stapleton , Mark Randall , John Orcsik , Don Battye , Melbourne : Crawford Productions , 1969 Z1814717 1969 series - publisher film/TV detective crime Abstract
Division 4, which Don Storey notes in Classic Australian Television was 'the only drama series on Australian television to rival the popularity of Homicide', was created as a vehicle for Gerard Kennedy, who had risen to popularity playing the complicated enemy agent Kragg in spy-show Hunter, after Tony Ward's departure left Hunter's future in doubt.
According to Moran, in his Guide to Australian Television Series:
The series differed from Homicide in being more oriented to the situation and milieu of a suburban police station staffed by a mixture of plainclothes detectives and uniformed policemen. This kind of situation allowed Division 4 to concentrate on a range of crimes, from major ones such as murder to minor ones such as larceny.
Though set in the fictional Melbourne suburb of Yarra Central, 'Sets were constructed that were replicas of the actual St Kilda police station charge counter and CIB room, with an attention to detail that extended to having the same picture hanging on the wall', according to Storey.
Division 4 ended in 1976. Storey adds:
Division 4's axing was a dark day for Australian television, as within months the other two Crawford cop shows on rival networks, Matlock Police and Homicide, were also axed. It was widely believed, and still is, that the cancellation of the three programs was an attempt by the three commercial networks--acting in collusion--to wipe out Crawford Productions, and consequently cripple the local production industry.
Number in series: 26

1969 .

Script cover page (Crawford Collection at the AFI Research Collection)

Div4Ep26CoverScan_FX6F.jpg

Extent: 86p.
(Manuscript) assertion

Note/s:

The script is labelled 'Episode K8' on the cover page. A notation in the top right-hand corner of the script indicates that this was the script designated for 'Audio 2'. The cover page shows other notations, all in blue felt pen.

The script is annotated in blue felt pen, black felt pen, and blue ink.

Blue felt pen annotations seem to be largely audio cues. On page 39, a scene is struck out in blue felt pen.

Black felt pen begins with the annotation 'SUPER' on the first page of script. After the first commercial, there are instances where dialogue has been struck out with a black felt pen, and then instances where new dialogue has been added in black felt pen.

Blue ink annotations are largely alterations to the dialogue. After the first commercial, some blue ink annotations are alterations to dialogue that has already been struck out with black felt pen. Some blue ink annotations are also audio cues (see, for example, page 23).

The largest number of annotations involve the deletion of dialogue, presumably in light of the unusual length of this script, compared to usual Division 4 scripts.

On page 77, a new section of dialogue has been typed out and taped over the existing page: this follows on to the next page, labelled '77A' in blue ink, and taped over the top of the existing page 78, from which the scene has been struck out in black felt pen.

The final page includes a list of crew credits:
Written by Howard Griffiths.
Edited by Dorothy Crawford.
Typed by Hilary Burgess, Shirley Ballard, Christine Rook.
Checked by Shirley Ballard, Margaret Colechin, Christine Rook, Hilary Burgess.
Duplicated by Ian Dewhurst.
The section below this for 'Producer's Remarks' has been left blank.

Holdings

Held at: AFI Research Collection

Local Id: SC DIV : 26

Note:
AFI Research Collection record

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