person or book cover
Script cover page (Crawford Collection at the AFI Research Collection)
form y separately published work icon Scout's Honour single work   film/TV   crime  
Issue Details: First known date: 1975... 1975 Scout's Honour
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All Publication Details

      1975 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 57p.
      (Manuscript) assertion
      Note/s:
      • The script is labelled 'Code 11507' and 'Episode No. Four' on the cover page, though it aired as episode eight. The script has been typed on two distinctly different machines and types of paper. Up to and including page 36 (including the character notes), the script is on thicker, wider paper, with a distinct serif font (which has been evident in other Crawfords scripts, though usually only for a few pages at a time). From page 37 to the end of the script, the script reverts to the thin, white foolscap paper and distinct typewriter font that is the usual default for these original scripts.
      • This is the original script, at least in part (see note above). The script has been amended in liquid paper: as with other scripts for this program, the amendments appear to be at the level of copy editing. Some new dialogue has been added in rare cases: see, for example, page 18. In some instances (see, for example, page 36), the script sections on thicker white paper have been amended on the same type of typewriter used for the last twenty pages of the script.
      • The script has been annotated in blue felt pen on pages 4 and 5: the annotations are alpha-numeric. There are no other signs of annotations on this copy of the script.
      • The Crawford Collection contains two copies of this script, both identical and filed separately.
      • The archive also contains information on the breakdown of costs for this episode, access to which is highly restricted.
      • The file contains the following ancillary material, access to some of which is restricted:
        1. Cast list
        2. Casting call sheets

      Holdings

      Held at: AFI Research Collection
      Local Id: SC BLU : 8
    • Melbourne, Victoria,: Crawford Productions , 1976 .
      Extent: 46 min. 8 secs (according to the script)p.
      Series: form y separately published work icon Bluey Robert Caswell , Vince Moran , Everett de Roche , James Wulf Simmonds , Tom Hegarty , Gwenda Marsh , Colin Eggleston , David Stevens , Peter A. Kinloch , Keith Thompson , Gregory Scott , Peter Schreck , Denise Morgan , Monte Miller , Ian Jones , John Drew , David William Boutland , Jock Blair , Melbourne : Crawford Productions Seven Network , 1976 Z1815063 1976 series - publisher film/TV crime detective

      According to Moran, in his Guide to Australian Television Series, Bluey (and its Sydney-based rival, King's Men) 'constituted an attempt to revive the police genre after the cancellations of Homicide, Division 4 and Matlock Police'.

      Don Storey, in his Classic Australian Television, summarises the program as follows:

      Bluey is a maverick cop who breaks every stereotype image. He drinks, smokes and eats to excess, and therefore is rather large, but it is his unusual investigative methods that set him apart. He has bent or broken every rule in the book at some stage, to the point where no-one else wants to work with him. But he gets results, and is therefore too valuable to lose, so the powers-that-be banish him to the basement of Russell Street Police Headquarters where he is set up in his own department, a strategem that keeps him out of the way of other cops.

      Moran adds that 'Grills, Diedrich and Nicholson turned in solid performances in the series and the different episodes were generally well paced, providing engaging and satisfying entertainment.'

      The program sold well overseas, especially in the United Kingdom. But though it rated well domestically, it was not the success that the Seven Network had hoped for, and was cancelled after 39 episodes.

      Bluey had an unexpected revival in the early 1990s when selections from the video footage (over-dubbed with a new vocal track) were presented during the second series of the ABC comedy The Late Show as the fictional police procedural Bargearse. (The Late Show had given ABC gold-rush drama Rush the same treatment in series one.)

      Number in series: 8
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