form y separately published work icon End of the Line single work   film/TV   crime  
Issue Details: First known date: 1976... 1976 End of the Line
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    • Melbourne, Victoria,: Crawford Productions , 1976 .
      Extent: 46 min. 8 secs (according to the script)p.
      Series: form y separately published work icon Bluey Robert Caswell , Vince Moran , Everett de Roche , James Wulf Simmonds , Tom Hegarty , Gwenda Marsh , Colin Eggleston , David Stevens , Peter A. Kinloch , Keith Thompson , Gregory Scott , Peter Schreck , Denise Morgan , Monte Miller , Ian Jones , John Drew , David William Boutland , Jock Blair , Melbourne : Crawford Productions Seven Network , 1976 Z1815063 1976 series - publisher film/TV crime detective

      According to Moran, in his Guide to Australian Television Series, Bluey (and its Sydney-based rival, King's Men) 'constituted an attempt to revive the police genre after the cancellations of Homicide, Division 4 and Matlock Police'.

      Don Storey, in his Classic Australian Television, summarises the program as follows:

      Bluey is a maverick cop who breaks every stereotype image. He drinks, smokes and eats to excess, and therefore is rather large, but it is his unusual investigative methods that set him apart. He has bent or broken every rule in the book at some stage, to the point where no-one else wants to work with him. But he gets results, and is therefore too valuable to lose, so the powers-that-be banish him to the basement of Russell Street Police Headquarters where he is set up in his own department, a strategem that keeps him out of the way of other cops.

      Moran adds that 'Grills, Diedrich and Nicholson turned in solid performances in the series and the different episodes were generally well paced, providing engaging and satisfying entertainment.'

      The program sold well overseas, especially in the United Kingdom. But though it rated well domestically, it was not the success that the Seven Network had hoped for, and was cancelled after 39 episodes.

      Bluey had an unexpected revival in the early 1990s when selections from the video footage (over-dubbed with a new vocal track) were presented during the second series of the ABC comedy The Late Show as the fictional police procedural Bargearse. (The Late Show had given ABC gold-rush drama Rush the same treatment in series one.)

      Number in series: 11
      1976 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 57p.
      (Manuscript) assertion
      Note/s:
      • The script is labelled 'Code 11504' and 'Episode No. Twelve' on the cover page, although it was produced as episode 11.
      • This is an original script, typed on thin white paper and amended throughout in liquid paper. In some rare instances, amendments have been made by placing white stickers over the text to be changed: this seems to have been for reasons of speed, because the white-sticker alterations are no more extensive than the liquid-paper ones, and some of the liquid-paper alterations in the latter half of the script show blurred type over liquid paper that had not dried sufficiently.
      • Amendments appear to be relatively minor adjustments (see, for example, page 1, where 'EPISODE TITLE' has been adjusted to 'EPISODE TITLE AND WRITERS' CREDIT') and copy-editing level changes.
      • The character notes and pages 1 to 7 inclusive have been typed on a different machine from the rest of the script.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC BLU : 11
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