'Susan K Martin reconstructs the emerging colonial readership for British sensation fiction, complicating her account of gendered sociability by contrasting the reception of Mary Braddon's novel Lady Audley's Secret with spectatorship of its stage adaptation on Melbourne in the early 1860s. She draws here on one of the classic models of eighteenth-century sociability, which John Dwyer refers to as the theatrical, performative or 'spectatorial' model of sociality.' (Kirkpatrick, Peter and Dixon, Robert: Introduction
xvi)