form y separately published work icon Deep Water single work   film/TV   crime  
Issue Details: First known date: 1974... 1974 Deep Water
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

All Publication Details

Note: Mike Martorana is credited as the assistant director.
    • Melbourne, Victoria,: Crawford Productions ; Network Ten , 1974 .
      Series: form y separately published work icon Matlock Police Terry Stapleton , Ian Jones , Everett de Roche , Ian Jones , Terry Stapleton , Keith Hetherington , Patrick Edgeworth , Tom Hegarty , Douglas Tainsh , Graeme Koetsveld , Peter A. Kinloch , Sonia Borg , Don Battye , Robert Caswell , George T. Miller , Gwenda Marsh , Cliff Green , Vince Moran , Luis Bayonas , David William Boutland , Phil Freedman , Keith Thompson , Denise Morgan , C.F. Barnes , Robert Bruce , Alan Cram , Vern Perry , Martin Robbins , John Dingwall , George Mallaby , Jim Stapleton , Simon Wincer , Melbourne Australia : Crawford Productions Network Ten , 1971-1976 Z1638563 1971 series - publisher film/TV detective crime

      The Matlock Police series (originally simply titled Matlock) was commissioned from Crawford Productions by ATV-0, in response to the popularity of rival-network police dramas such as Homicide and Division 4. Crawford's was initially reluctant to create another police series, but ATV-0 pressured the company for some time. Eventually, Ian Jones and Terry Stapleton devised the concept of a regional (Victorian) police series to provide viewers with something different. The more relaxed atmosphere of the country-town setting also allowed the writers to delve into the private lives of the main characters, rather than focusing heavily on big-city organised crime. In this respect, the series was situated somewhere between Homicide/Division 4 and Bellbird. The series did, however, cover typical rural policing, including such issues as break and enters, domestic issues, itinerant workers, brawls, petty crime and robberies, road accidents, the occasional homicide, and cattle rustling. On other occasions, the Matlock police also assisted Melbourne police in locating criminals on the run (among other problems). The idea behind the show was to reflect the causes of crime in a small community and show the effects on both the community and the officers themselves.

      The fictional town of Matlock (loosely based on Shepparton in Victoria) is situated inland on the Central Highway, approximately 160 kilometres north of Melbourne. Although the town's population is only seventeen thousand, this increases to around seventy-five thousand when the district is included. The Matlock Police Station is typical of a Victorian country town, with a Uniform Branch and a Criminal Investigation Branch (CIB). The CIB is headed by Detective Sergeant Vic Maddern, who grew up in the Matlock district and is an accomplished bushman. Second in command is Detective Allan Curtis, aged in his mid-twenties. Previously from Melbourne, Curtis has just been sent to his first country posting (against his will) when the series begins. Head of the Uniform Branch is Sergeant Bert Kennedy, an Englishman who migrated to Australia in 1950. A thorough but also easy-going man with a good sense of humour, Kennedy is married to Nell and enjoys the country life in Matlock, so much so that he has knocked back promotion to avoid moving to Melbourne. Several constables are attached to the Uniform Branch, but the most prominent is a motorcycle cop, Constable Gary Hogan, who performs a wide variety of duties. Hogan is about thirty, a friendly, easy-going person who grew up in the country and is always willing to help in whatever work is going.

      Number in series: 167
      1974 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 39p.
      (Manuscript) assertion
      Note/s:
      • This copy of the script is the version written by Jim Stapleton.
      • The script is printed on thin white paper, labelled 'Episode 10Y' on the cover page, and dated 29 April 1974. It contains character notes (see Abstract). There is no indication on the cover page of for whom this copy of the script was designated.
      • Don Storey credits Barnes as author and makes no mention of Jim Stapleton. But the cover page for this script is dated 29 April 1974, a date some five weeks earlier than the date on the Barnes script (which is dated 4 June 1974), suggesting that Barnes actually modified an existing script by Stapleton.
      • In addition to the dates, the nature of this script suggests it is the original: the thin white paper is typical of original scripts (copies were usually made on thicker paper and on coloured paper), and the script is amended throughout with liquid paper, which has then been typed over. The amendments are more at the level of copy editing (alterations to typing mistakes, for example) than wholesale changes in dialogue or stage directions.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC MAT : 167
      1974 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 39p.
      (Manuscript) assertion
      Note/s:
      • This copy of the script is the version written by C.F. Barnes.
      • The script is copied on a mixture of pink and water paper and labelled 'Episode 10Y' on the cover page. It contains character notes (see Abstract). A notation in blue felt pen in the top right-hand corner of the cover page indicates that this copy of the script was designated for Peter Zerbe. (Crawford Productions tribute website [crawfordproductions.tv] identifies Zerbe as head of film editing between 1966 and 1975.)
      • This copy of the script is dated 4 June 1974: see note to Stapleton script for more information on the composition of the two scripts.
      • Aside from the notation on the cover page, there are no signs of annotations on this copy of the script.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC MAT : 167
Newspapers:
    Powered by Trove
    X