y separately published work icon Looking for Bullin Bullin selected work   poetry  
Issue Details: First known date: 2012... 2012 Looking for Bullin Bullin
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Notes

Contents

* Contents derived from the Ormond, Brighton - Moorabbin area, Melbourne - Inner South, Melbourne, Victoria,:Hybrid , 2012 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Dark Secretsi"Truth can spill out", Brenda Saunders , single work poetry (p. 3)
Innargangi"In the dry heat", Brenda Saunders , single work poetry (p. 4)
Passionfloweri"Across the iron roof the creeper draws the window in", Brenda Saunders , single work poetry (p. 5)
Note: With title : Passion Flower
Barramali"I learned early", Brenda Saunders , single work poetry (p. 6)
Terra Nulliusi"We watched them come with new ideas for change, create", Brenda Saunders , single work poetry (p. 7)
Two Tonesi"I'm a second-hand girl", Brenda Saunders , single work poetry (p. 8)
In-Servicei"Dazzling bright", Brenda Saunders , single work poetry (p. 9)
At Katoombai"We hear of forbidden love", Brenda Saunders , single work poetry (p. 10)
Un-Titledi"Dark hands", Brenda Saunders , single work poetry (p. 11)
Sydney Real Estate : For Salei"Bennelong:", Brenda Saunders , single work poetry (p. 12-13)
The Tellingi"The family move silently, follow the creek, afraid of", Brenda Saunders , single work poetry (p. 14-17)
Toyota Dreamingi"At sunrise, the mine lifts in stark surprise", Brenda Saunders , single work poetry (p. 21-22)
Skin Deepi"this cloak", Brenda Saunders , single work poetry (p. 23-24)
Payback in ’78i"At Bre’ the Rainbow Serpent flows from sponges", Brenda Saunders , single work poetry (p. 25-27)
Jaandooi"Rover tracks his Wild Dog roaming in the sand", Brenda Saunders , single work poetry (p. 28-29)
Wonderlandi"At the springs, the sky is reflex blue in a rim of rock.", Brenda Saunders , single work poetry (p. 30-31)
Wemba Wembai"Anger spreads in slow time. A stock line stirs", Brenda Saunders , single work poetry (p. 32)
Tanamii"Without our language", Brenda Saunders , single work poetry (p. 33)
Three Views of Coogeei"Coastal tribes gather on bora ground close to the shore. Waves of painted bodies move", Brenda Saunders , single work poetry (p. 34-35)
Boorraloolai"Up in the Gulf he paints his mother's country", Brenda Saunders , single work poetry (p. 37-38)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Aspects of Australian Poetry in 2012 Michelle Cahill , 2013 single work review
— Appears in: Westerly , June vol. 58 no. 1 2013; (p. 68-91)

'T he act of reading for appraisal rather than pleasure is a privilege that brings me to a deepened understanding of the contemporary in Australian poetry, the way the past is being framed, its traditions, celebrities and enigmas washed up in new and hybrid appearances or redressed in more conventional, sometimes nimbus forms. Judith Wright wrote that the ‘place to find clues is not in the present, it lies in the past: a shallow past, as all immigrants to Australia know, and all of us are immigrants.’ The discipline of reading to filter such a range of voices underlines my foreignness, making reading akin to translation, whilst reciprocally inviting the reader of this essay to become a foreigner to my assumptions and conclusions.' (Introduction)

Margaret Bradstock Reviews Looking for Bullin Bullin by Brenda Saunders Margaret Bradstock , 2013 single work review
— Appears in: Mascara Literary Review , June no. 13 2013;

— Review of Looking for Bullin Bullin Brenda Saunders , 2012 selected work poetry
Margaret Bradstock Reviews Looking for Bullin Bullin by Brenda Saunders Margaret Bradstock , 2013 single work review
— Appears in: Mascara Literary Review , June no. 13 2013;

— Review of Looking for Bullin Bullin Brenda Saunders , 2012 selected work poetry
Aspects of Australian Poetry in 2012 Michelle Cahill , 2013 single work review
— Appears in: Westerly , June vol. 58 no. 1 2013; (p. 68-91)

'T he act of reading for appraisal rather than pleasure is a privilege that brings me to a deepened understanding of the contemporary in Australian poetry, the way the past is being framed, its traditions, celebrities and enigmas washed up in new and hybrid appearances or redressed in more conventional, sometimes nimbus forms. Judith Wright wrote that the ‘place to find clues is not in the present, it lies in the past: a shallow past, as all immigrants to Australia know, and all of us are immigrants.’ The discipline of reading to filter such a range of voices underlines my foreignness, making reading akin to translation, whilst reciprocally inviting the reader of this essay to become a foreigner to my assumptions and conclusions.' (Introduction)

Last amended 30 Oct 2018 13:53:37
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