'For us animateurs, concepts of ceremony, tradition, initiation and clan systems are hard to uphold in an industry that is essentially market driven and predominately controlled by non-Aboriginal artistic directors and bureaucrats obsessed with bums on seats. Limited funding and therefore limited time often forces us to reduce our cultural ambitions. Going onto country to make work is a per diem minefield that needs to be battled. Waiting for country to speak to us doesn’t always fit neatly into a project budget.'