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Notes
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A series of 'stylish, sinister, edge-of-your-seat thrillers' featuring the character model turned forensic psychologist and PI Makedde (Mak) Vanderwall.
Source: Publisher's website
Includes
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1y
Fetish
Pymble
:
HarperCollins Australia
,
1999
Z503323
1999
single work
novel
crime
'Tall, blonde and beautiful - It's no surprise that Canadian Makedde Vanderwall is a model. What is surprising is her street-smart ways and her own recognition that modeling is only a stopgap career, a lucrative means to fund her tuition for a degree in forensic psychology.
But more surprising - and disturbing - is that while on assignment in Sydney, Australia, Makedde finds herself in the middle of a grisly, sensational hunt for the "Stiletto Murderer" - a serial killer who brutally murdered Makedde's best friend - and may see Makedde as his next fashion victim.
Who is this murderous monster with the penchant for sexy shoes? The world of fashion takes on sinister tones - a photographer who get off on snapping photos of dead bodies; beautiful women with rich but mysterious sugar daddies; and bottom feeders who cruise the murky ocean of high fashion and low morals. And now, seemingly deserted by the one cop who can save her, Makedde is a girl on the edge of unimaginable terror, in a place where perfect beauty is transformed into darkest death...'
Source: Author's website
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2y
Split
Pymble
:
HarperCollins Australia
,
2002
Z939072
2002
single work
novel
crime
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3y
Covet
Pymble
:
HarperCollins Australia
,
2004
Z1148110
2004
single work
novel
crime
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4y
Hit
Pymble
:
HarperCollins Australia
,
2006
Z1289567
2006
single work
novel
crime
'Makedde 'Mak' Vanderwall has her PhD and has started a new life in Australia with her detective boyfriend, Andy Flynn. To scrape together extra cash to start her first forensic psychology practice, Mak begins working part-time for an infamous Sydney PI. With a knack for investigation and bending the law, she might just have stumbled across her true calling and the career choice that could finally bust up her relationship once and for all.
'Then Mak is hired by a mysterious client to investigate the murder of A-list PA Meaghan Wallace. The police believe it's an open and shut case: a junkie street-kid is guilty. But the case turns out to be a lot more complicated as Mak uncovers a dangerous web of cover-ups, killers for hire, the powerful and debauched rich, and Australia's sleazy underbelly. If the boy didn't kill Meaghan, then who set him up? And how far will they go to keep their guilt a secret?' (Publisher's blurb)
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5y
Siren
Pymble
:
HarperCollins Australia
,
2010
Z1618166
2010
single work
novel
crime
detective
'Mak Vanderwall - beautiful, street-wise daughter of a cop, graduate in forensic psychology, and now PI - is hired by a widowed mother to track down her missing nineteen-year-old son.
Has he come to harm? Or has he run off with a bizarre troupe of shady French cabaret artists sweeping through Australia? Has the dark beauty of the burlesque, the magic, the mind-bending contortion, beguiled him? Or has he been seduced by the mysterious and amoral older woman who has a terrifying starring role in the troupe's modern performances of the Grand Guignol "Theatre of Fear", famous in Paris in the early 1900s?
And what of the rumours of violence and tragedy that have plagued the troupe for the past decade? Is their horrifying past fact or fiction?
Meanwhile, Mak is increasingly obsessed with the powerful Cavanagh family, one of Australia's richest and most ruthless families, whom she believes has got away with murder. And it seems their security advisor Mr White, and his hit man, Luther Hand, may not have forgotten about Mak either ...' (From the publisher's website.)
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6y
Assassin
South Sydney area
:
HarperCollins Australia
,
2012
Z1885823
2012
single work
novel
crime
detective
'How far would you go for revenge? For survival?
Former model turned forensic psychologist and PI Mak Vanderwall is missing, presumed dead in Paris. By hiring a hit man to kill her, the powerful and corrupt Cavanagh family aimed to silence her for good. But after narrowly escaping death, Mak has taken over her would-be killer′s world.
She is very much alive.
And transformed ...
Back in Sydney Mak′s former flame, criminal profiler Andy Flynn is on the trail of a vicious rapist and murderer with possible ties to the infamous ′Stiletto Killer′. He may have struck before and will certainly do so again. And while Andy struggles to cope in a world without Mak, little does he realise she is on her way back. And this time she′s ready to make her own justice.' Source: http://www.harpercollins.com.au/ (Sighted 10/09/2012).
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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The Corporeal Female Body in Literary Rape–Revenge : Shame, Violence, and Scriptotherapy
2018
single work
criticism
— Appears in: Australian Feminist Studies , vol. 33 no. 97 2018; (p. 384-399)'This article evaluates rape–revenge narratives in literature, asking how written scenes of rape and revenge depict female bodies without relying on visual representations that replicate evidence-based investigations of the crime. It then examines how authors and readers may seek scriptotherapy through rape–revenge literature, both fiction and memoir. It takes up Elizabeth Grosz's theories of corporeal feminism, feminist criticism on rape–revenge by scholars such as Tara Roeder and criticism on scriptotherapy. Primary texts discussed include novels and memoirs by Barbara Wilson, Y. A. Erskine, Tara Moss, and Alice Sebold. The article positions the rape–revenge narrative through the prism of therapeutic reading and writing, and compares it to the current public responses to sexual assault in Australia. The article determines that rape–revenge narratives in literature are more nuanced than their filmic counterparts. Furthermore, it concludes that memoir can only act therapeutically in a one-on-one sense and has no greater public service to the treatment of rape victims, and is, therefore, no more therapeutic than rape–revenge fantasies.' (Publication abstract)
-
The Corporeal Female Body in Literary Rape–Revenge : Shame, Violence, and Scriptotherapy
2018
single work
criticism
— Appears in: Australian Feminist Studies , vol. 33 no. 97 2018; (p. 384-399)'This article evaluates rape–revenge narratives in literature, asking how written scenes of rape and revenge depict female bodies without relying on visual representations that replicate evidence-based investigations of the crime. It then examines how authors and readers may seek scriptotherapy through rape–revenge literature, both fiction and memoir. It takes up Elizabeth Grosz's theories of corporeal feminism, feminist criticism on rape–revenge by scholars such as Tara Roeder and criticism on scriptotherapy. Primary texts discussed include novels and memoirs by Barbara Wilson, Y. A. Erskine, Tara Moss, and Alice Sebold. The article positions the rape–revenge narrative through the prism of therapeutic reading and writing, and compares it to the current public responses to sexual assault in Australia. The article determines that rape–revenge narratives in literature are more nuanced than their filmic counterparts. Furthermore, it concludes that memoir can only act therapeutically in a one-on-one sense and has no greater public service to the treatment of rape victims, and is, therefore, no more therapeutic than rape–revenge fantasies.' (Publication abstract)
