image of person or book cover 4986740955893161605.jpg
Screen cap from promotional trailer
form y separately published work icon Blurred single work   film/TV   humour  
Adaptation of Blurred Stephen Davis , 1999 single work drama
Issue Details: First known date: 2002... 2002 Blurred
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AbstractHistoryArchive Description

'Every year in Australia, more than 70,000 school leavers head for the sun-drenched beaches of the Gold Coast to celebrate their release from the secondary school system. BLURRED is not about being there - it's about a bunch of kids trying to get there. It shows the potential of young people, their resilience and their humour as the innocence of childhood is burned away in a blaze of alcohol and drugs, sexual confusion and the severing of the bonds of the schoolyard.'

Source: Screen Australia.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Crime Capital of Australia : The Gold Coast on Screen Stephen Stockwell , 2012 single work criticism
— Appears in: Studies in Australasian Cinema , March vol. 5 no. 3 2012; (p. 281-292)
'The Gold Coast has a crime problem, which will not come as a surprise to the viewers of the films and television programmes that feature Australia's sixth largest city. The vast majority of material set on the Gold Coast has criminal themes. The Gold Coast is an imagined city created, to a large degree, by a multiplicity of moving image artefacts produced by visitors. From the miles of amateur footage shot by tourists to pseudo-Hollywood blockbusters, the Gold Coast exists as a surf and sun paradise, at least in the minds of audiences around the world. However, analysis of a variety of moving image products suggests that not far behind the glitz and glamour of the beach-based boosterism is the grimy flip side of crime, corruption and desperation. This imagined paradise is encircled by sharks, both from the sea and the land. But the crime themes explored so far by the Gold Coast film industry do not address the real transgressions on which the city is founded, neither the deals that saw a city built on sand and swamp nor the dispossession of the original inhabitants.' (Editor's abstract)
Roads to Paradise Lesley Wilson , 2005 single work criticism
— Appears in: The Image of the Road in Literature, Media, and Society 2005; (p. 37-41)
Crime Capital of Australia : The Gold Coast on Screen Stephen Stockwell , 2012 single work criticism
— Appears in: Studies in Australasian Cinema , March vol. 5 no. 3 2012; (p. 281-292)
'The Gold Coast has a crime problem, which will not come as a surprise to the viewers of the films and television programmes that feature Australia's sixth largest city. The vast majority of material set on the Gold Coast has criminal themes. The Gold Coast is an imagined city created, to a large degree, by a multiplicity of moving image artefacts produced by visitors. From the miles of amateur footage shot by tourists to pseudo-Hollywood blockbusters, the Gold Coast exists as a surf and sun paradise, at least in the minds of audiences around the world. However, analysis of a variety of moving image products suggests that not far behind the glitz and glamour of the beach-based boosterism is the grimy flip side of crime, corruption and desperation. This imagined paradise is encircled by sharks, both from the sea and the land. But the crime themes explored so far by the Gold Coast film industry do not address the real transgressions on which the city is founded, neither the deals that saw a city built on sand and swamp nor the dispossession of the original inhabitants.' (Editor's abstract)
Roads to Paradise Lesley Wilson , 2005 single work criticism
— Appears in: The Image of the Road in Literature, Media, and Society 2005; (p. 37-41)

Awards

2003 nominated Australian Film Institute Awards Best Screenplay, Adapted from another Source
Last amended 7 Jul 2014 13:46:50
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