y separately published work icon Flame in the Fire selected work   poetry  
Issue Details: First known date: 2011... 2011 Flame in the Fire
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Publication Details of Only Known VersionEarliest 2 Known Versions of

Alternative title: The Flame in the Fire: Reflections
Notes:
Written as Susan Utting
  • Appears in:
    y separately published work icon The Flame in the Fire Susie Utting , St Lucia : 2011 Z1878298 2011 single work thesis ''The manuscript contains fifty-one lyric poems, a number of which have been published in literary journals and newspaper literary supplements. The poems explore my experiences as an aid relief volunteer on a ranch in southern Zimbabwe, working with HIV/AIDS affected orphans. The first section, Ways of Seeing, opens with the poem 'Self Reflection on Mwenezi River' which locates the key setting for the collection and presents a series of portraits; 'White Farmer and Wife', 'Biggest Orphan' and 'Old Shona Foreman', among others. The second section, Return to Kangerong, is set in Australia and explores the residual trauma of the Zimbabwean experience. Poems such as 'Swings and Slides' and 'Daughter at Fifteen' revisit painful personal memories, intertwined with a series of 'nocturnal' fragments about the natural cycle of life and death in an Australian farm setting. The final section, Things Foreknown, explores interior and exterior landscapes, both at home and in Zimbabwe, coming to terms with the total traumatic experience of writing and then rewriting this collection of poems.'
    Source: Author's abstract, University of Queensland, UQ eSpace record         St Lucia : 2011
    • Port Adelaide, Port Adelaide - Enfield area, Adelaide - Northwest, Adelaide, South Australia,: Ginninderra Press , 2012 .
      person or book cover
      Courtesy of Ginninderra Press
      Extent: 67p.
      ISBN: 9781740277488
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Works about this Work

Behind the Eyes : Poetry of Witness Autumn Royal , 2013 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 17 no. 2 2013;
— Review of Flame in the Fire Susie Utting , 2011 selected work poetry
Between the Eye and the 'I' in Witness Poetry: Ethical Responsibilities of Representation of Traumatic Events and Situations Susie Utting , 2011 single work criticism
— Appears in: The Flame in the Fire 2011; 'The critical essay, Between the Eye and the 'I' in Witness Poetry: Ethical Responsibilities of Representation of Traumatic Events and Situations, examines contemporary theory relating to trauma, trauma studies, witness poetry and the role of the witness poet. After close scrutiny, the position of the eye and the 'I' witness is found to alter constantly, with variations in place and time, and when revisited, re-contextualised by the fusion of foresight and hindsight. This pivotal conclusion, of being conscious of the reconstituting of a moment in the moment of its revisiting by the witness poet, is in turn applied to the integration of the creative practice undertaken to produce this thesis. The perceived ethical position of the writer, before the interaction between the critical and creative process, is re-contextualised in and by the writing experience, and the representation of trauma revisited with acknowledged heightened awareness of its attendant ethical responsibilities.' (University of Queensland, UQ eSpace record)
Behind the Eyes : Poetry of Witness Autumn Royal , 2013 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 17 no. 2 2013;
— Review of Flame in the Fire Susie Utting , 2011 selected work poetry
Between the Eye and the 'I' in Witness Poetry: Ethical Responsibilities of Representation of Traumatic Events and Situations Susie Utting , 2011 single work criticism
— Appears in: The Flame in the Fire 2011; 'The critical essay, Between the Eye and the 'I' in Witness Poetry: Ethical Responsibilities of Representation of Traumatic Events and Situations, examines contemporary theory relating to trauma, trauma studies, witness poetry and the role of the witness poet. After close scrutiny, the position of the eye and the 'I' witness is found to alter constantly, with variations in place and time, and when revisited, re-contextualised by the fusion of foresight and hindsight. This pivotal conclusion, of being conscious of the reconstituting of a moment in the moment of its revisiting by the witness poet, is in turn applied to the integration of the creative practice undertaken to produce this thesis. The perceived ethical position of the writer, before the interaction between the critical and creative process, is re-contextualised in and by the writing experience, and the representation of trauma revisited with acknowledged heightened awareness of its attendant ethical responsibilities.' (University of Queensland, UQ eSpace record)
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Last amended 29 Nov 2012 11:20:31
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