Vincent Buckley and His Land of No Fathers : The Irish Shadow on His Work single work   criticism  
Issue Details: First known date: 2012... 2012 Vincent Buckley and His Land of No Fathers : The Irish Shadow on His Work
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AbstractHistoryArchive Description

‘Vincent Buckley maintained that as an Irish Australian he had grown up as a member of a persecuted minority. He also claimed that, although this minority was crucial in shaping the Australian identity, its members had failed to keep an imaginative connection with their homeland. Much of his work can be read as an attempt to rediscover this link, but his understanding of the Irish element changes over his career. In his earlier work, his concern is with the Irish tradition of WB Yeats and James Joyce, and with his own forefathers as people dispossessed by the heartless English. Later he becomes involved with the fate of the nationalists in Northern Ireland. This leads him both to take direct political action in Australia and to write some of his most significant poems. These show the influence of Seamus Heaney or John Kinsella rather than Yeats, but also bring to bear a distinctly Australian sensibility.’ (38)

Affiliation Notes

  • This work has been affiliated with the Irishness in Australian Literature dataset because it contains Irish characters, settings, tropes or themes.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Shadow of the Precursor Diana Glenn (editor), Ben Kooyman (editor), Md Rezaul Haque (editor), Nena Bierbaum (editor), Newcastle upon Tyne : Cambridge Scholars Press , 2012 Z1872028 2012 anthology criticism

    'A shadow, in its most literal sense, is the projection of a silhouette against a surface and the obstruction of direct light from hitting that surface. For writers and artists, the shadows cast by their precursors can be either a welcome influence, one consciously evoked in textual production via homage or bricolage, or can manifest as an intrusive, haunting, prohibitive presence, one which threatens to engulf the successor. Many writers and artists are affected by an anxious and ambiguous relationship with their precursors, while others are energised by this relationship. The role that intertextuality plays in creative production invites interrogation, and this publication explores a range of conscious and unconscious influences informing relations between texts and contexts, between predecessors and successors.

    The chapters revolve around intertextual influence, ranging from conscious imitation and intentional allusion to Julia Kristeva's idea of intertextuality. Do all texts contain references to and even quotations from other texts? Do such references help shape how we read? This multidisciplinary work includes chapters on the long shadows cast by Shakespeare, Dante, Scott, Virgil and Ovid, the shadows of colonial precursors on postcolonial successors, the shadows cast over Kipling and Murdoch, and chapters on other writers, dramatists and filmmakers and their relationships with precursor figures. With its focus on intertextual relationships, this book contributes to the thriving fields of adaptation studies and studies of intertextuality' (Publisher website).

    Newcastle upon Tyne : Cambridge Scholars Press , 2012     pg. 38-47
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Last amended 1 Sep 2024 10:53:10
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