'Most histories of the dynamism of the Australian film industry in the 1970s explore
feature films, but a vital part of the creativity and energy of the revival occurred in
the non-feature sector. A significant site of experimentation and originality in form,
content and technique was the Experimental Film and Television Fund (EFTF). From
its inception in 1970, The Australian Film Institute (AFI) managed the fund until
1977 when the Australian Film Commission (AFC) assumed control of it. Drawing
on a series of interviews with key players involved in the fund during the AFI's
tenure, and research for the book, Shining a Light: 50 Years of the Australian
Film Institute (French and Poole 2009), this article traces this significant period
of the history of Australian film production, and proposes that the AFI played an
important role in promoting modernist film practice, and the Australian film revival,
through its management of the EFTF.' (Editor's abstract)