Issue Details: First known date: 2011... 2011 ‘Shapely Experience’ and the Limits of ‘Late Colonial Transcendentalism’ : The Portrait of the Artist as Soldier in Roger McDonald’s 1915
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'This essay argues that Roger McDonald's debut novel 1915 represents a form of literary modernism which rejects the easy aesthetic comforts of 'late colonial transcendentalism' (17). McDonald presents an intricate -- we might even say ritualised -- pattern of subversive counterpoint to 'reveal and dramatise the failure of the subject to escape its own limits, and hence its own history' (McCann 155). The result is a highly self-conscious literary novel that seeks to reconcile the art of high modernism with a postcolonial practice interested in the consequences of public memory.' (Author's abstract)

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    y separately published work icon JASAL Journal of the Association for the Study of Australian Literature; Undead Ghosts : Spectrality and the Transgression of Cultural Norms vol. 11 no. 2 2011 Z1844396 2011 periodical issue 2011
Last amended 24 Feb 2012 15:16:13
https://openjournals.library.sydney.edu.au/index.php/JASAL/article/view/10205/10103 ‘Shapely Experience’ and the Limits of ‘Late Colonial Transcendentalism’ : The Portrait of the Artist as Soldier in Roger McDonald’s 1915small AustLit logo JASAL
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