How Do Poems Sound? single work   criticism  
Issue Details: First known date: 2009... 2009 How Do Poems Sound?
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AbstractHistoryArchive Description

'The deaf poet Peter Cook remarked that there are two signs for poetry in American Sign Language: one for Hearing Poetry and one for Deaf poetry. The sign for Hearing poetry, poetry associated with rhythms and music, is almost identical with the sign for music; the sign for Deaf poetry resembles that for 'Expression'. Deaf poetry is a physically expressive art of rhythm and balance, employing gestures and movements that recall mime, dance, and musical performance; through parallel or repetitive signs, it can suggest lines and even rhymes. Examples of such work by Clayton Valli and other ASL/Deaf poets are easy to find on YouTube and videos. (A 1990 video series called "Poetry in Motion" includes the work of Valli, Debbie Rennie, and Patrick Graybill). As with spoken poetry, sign languages - English, American, French, Swedish and others - differ and are not mutually intelligible.' (Introduction)

Notes

  • Also comments on a number of poems outside the scope of Austlit.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Blue Dog vol. 8 no. 15 2009 Z1633703 2009 periodical issue 2009 pg. 16-22
  • Appears in:
    y separately published work icon The Poetic Eye : Occasional Writings 1982-2012 Michael Sharkey , Netherlands : Brill , 2016 10632316 2016 selected work criticism

    'This volume contains a selection of the Australian poet Michael Sharkey’s uncollected essays and occasional writings on poetics and poets, chiefly Australian and New Zealand. Reviews and conversations with other poets highlight Sharkey’s concern with preserving and interrogating cultural memory and his engagement with the practice and championing of poetry. Poets discussed range from Lord Byron to colonial-era and early twentieth-century poets (Francis Adams, David McKee Wright, and Zora Cross), underrepresented Australian women poets of World War I, traditionalists and experimentalists, including several ‘New Australian Poetry’ activists of the 1970s, and contemporary Australian and New Zealand poets. Writings on poetics address form and tradition, the teaching and reception of poetry, and canon-formation. The collection is culled from commissioned and occasional contributions to anthologies of practical poetics, journals devoted to literary and cultural history and book reviewing, as well as newspaper and small-magazine features from the 1980s to the present. The writing reflects Sharkey’s poetic practice and pedagogy relating to the teaching of literature, rhetorical analysis, cultural studies, and writing in universities'.

    Source: Publisher's blurb.

    Netherlands : Brill , 2016
    pg. 498-510
Last amended 5 May 2020 11:06:57
16-22 How Do Poems Sound?small AustLit logo Blue Dog
498-510 How Do Poems Sound?small AustLit logo
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