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'This essay ... sets out an argument that the value of Baynton's work lies in the coherence of the stories in Bush Studies. The work should be read as a suite, the contrast between the six stories casting new light on each, rather than being simply contradictory or inept. This essay contends that the striking consistency of theme and topos, contrasted with the diversity of style that has so far been the main attraction and puzzle for critics, offers cues for reading the then emerging category of "bush" writing that was said to be distinctively Australian. In so doing, I am taking issue with much of the published criticism on Baynton, a disputation largely confined to footnotes' (p. 369).
'The stories in Bush Studies are deeply unsettling, not least because they are deliberately ambiguous. This ambiguity is one reason the stories have been subject to the process of continued critical re-evaluation and dispute noted by Leigh Dale. "Billy Skywonkie" is a story the ambiguity of which seems to have infected its critical reception. This essay seeks to make explicit what is often left unclear in discussions of the story: it is remarkable for presenting a narrative told in part from the point of view of a woman experiencing racism in its intersection with sexual and economic vulnerability in the early years of the twentieth century' (p. 387).