Cirrus@Austlit

The following script is an episode of Homicide that was seemingly never produced and certainly never aired. The title bears no resemblance to any of the extant episodes of Homicide, and it is not included in Don Storey's list of Homicide episodes (although Peter Schreck's unaired episode 'Covet Thy Neighbour', which was pulled from the schedule by the network's request, is included in Storey's list).

The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'PETER OSCAR COUTURE: 33 years old. Attractive in a weak sort of way. Sexually impotent. Through the years he's built up a strong hatred for women. Brought on by having found out that his mother was a Nude Model, and dancer as a young woman. That to him made her a whore. Over the years his mind becomes warped. He begins to kill. He reads about Lawson heading the investigations. Feels it would be fun to play Cat and Mouse with the Police. But he soon tires of this and wants to be caught. That's the only way he'll stop killing. Loves wearing womens' underwear.

'SERGEANT FRED THOMSON: 45 years old. Homely looking man. The type of Policeman you'd expect to find working in a small town. Friendly, knows and does his job well. Married with two sons.

'SUSAN LESLEY CROMER: 32 years old. Also known as 'Claudine' Manager of a Massage Parlour [sic]. Married with one child. She's a high class Pro. Who leans towards blackmail. Very attractive. Good figure.

'YOUNG WOMAN 20. Quite pretty. Good figure. Loves to swim naked in the sea. Even in winter.

'POLICE CONSTABLES: 4. In Uniform. 3 in Civvies.'

A crossover episode between Bluey and Homicide: in the wake of Bluey's (ultimately non-fatal) shooting, the Russell Street homicide department get involved, in the form of Don Barker (Det. Sgt. Harry White).

'Tip-offs are usually welcomed by police, but Bluey is far from happy when an anonymous note tells the authorities who killed Noel Allan Cornish. However, even Bluey couldn't possibly foresee the disaster that would follow in the wake of such information. Department B is rocked to its very foundation.

'Much against his better judgement, Bluey becomes involved in checking out the tip .. and he pays the absolute penalty.

'With Bluey out of the way, Monica finds running the Department, keeping Gary in check and handling the Assistant Commissioner is more than she can cope with. Not even Truscott's help is assistance enough to forestall the day of reckoning looming for Department B.

'Gary, with no restraining hand over him, all but runs amok. In the best Bluey traditions, he tosses away the book and goes in boots and all. His rough, tough approach to the investigation stamps him a worthy "Son of Bluey".'

Source: Synopsis held in the Crawford Collection in the AFI Research Collection (RMIT).

The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'JENNY: IN HER EARLY TWENTIES, JENNY LIVES UP TO TRUSCOTT'S ASSESSMENT OF HER - "A SEXY YOUNG BIT". BUT IN REGARDS SEX, SHE'S MORE LANDROVER THAN ROLLS ROYCE - HANDLES THE GOING BEST WHEN THINGS ARE A BIT ROUGH. MORE YOUR R THAN RR. SHE'S A FUN KID WHEN SHE'S IN THE MOOD FOR FUN. SHE'S A WILDCAT WHEN IT COMES TO A FIGHT.

'JOEY RAVEN: ABOUT THE SAME AGE AS JENNY, JOEY HAS LIVED ON THE FRINGE OF THE CRIMINAL ELEMENT MOST OF HIS LIFE. BUT THAT'S THE STORY OF HIS LIFE ... ALWAYS ON THE FRINGE. HE'S NEVER COME TO TERMS WITH WOMEN - PARTICULARLY JENNY. HE'S USUALLY AS EMBARRASSED AS HELL IN HER PRESENCE BUT HE ENJOYS BEING THERE. HE HAS A SOFT SPOT FOR DOUG, TOO - A SILENT "FRINGE" MATESHIP OF A KIND BUILT UP OVER THE YEARS WITH JOEY VERY MUCH THE SECOND STRING.

CAR DRIVING REQUIRED.

'DOUG STEWART DOUG, IN HIS THIRTIES, IS A BIT OF A MYSTERY MAN. IT IS ALMOST IMPOSSIBLE TO TELL WHETHER HIS RETICENCE IS THE RESULT OF CAUTION (PERHAPS HE HAS SOMETHING TO HIDE) OR WHETHER IT IS SIMPLY PART OF HIS MAKE-UP. HE HAS A LONG CRIMINAL RECORD DUE MAINLY TO A LACK OF SELF-CONTROL IN A CRISIS. WHEN HE DOES HIS BLOCK HIS FISTS FLY BLINDLY - NO DIFFERENCE WHETHER IT'S A MAN OR A WOMAN ON THE RECEIVING END. BUT WHEN HE'S DOWN EMOTIONALLY, HE'S RIGHT DOWN. HE'S A VICTIM OF DEEP-SEATED INSECURITY AND DOUBTS.

'RHODA LEWIS: ABOUT THE SAME AGE AS DOUG, RHODA WAS HIS DE FACTO FOR MANY YEARS .. AND SHE'S MUCH MORE DOUG'S STYLE AND SPEED THAN JENNY IS. SHE WANTS TO RE-ESTABLISH THEIR EARLIER RELATIONSHIP AT ALL COSTS. WHETHER IT'S DOUG SHE WANTS OR WHETHER IT'S THE KEY DOUG MIGHT HOLD, WE DON'T KNOW.

'MATRON: A LITTLE YOUNGER THAN BLUEY ... BUT SHE'S A MATCH FOR HIM. WHAT SHE MAY LOSE TO HIM IN YEARS OF EXPERIENCE SHE MORE THAN COMPENSATES FOR THROUGH HER POSITION OF AUTHORITY AND THE SECURITY OF HER RELIGIOUS HABIT.

'SERGEANT TAYLOR: A SERGEANT IN THE HOMICIDE SQUAD - A SUBORDINATE IN ALL WAYS TO INSPECTOR FERRIS.

'NURSE: YOUNG AND PRETTY, WITH A BOTTOM JUST THE RIGHT SIZE FOR BLUEY TO GET HIS HANDS AROUND.

'SISTER: EFFICIENT, WITH THE AUTHORITY YOU WOULD EXPECT TO FIND IN ONE HOLDING SUCH A POSITION. SHE READILY CO-OPERATES WITH ALL HIGHER AUTHORITY - PARTICULARLY THE POLICE.

'DOCTOR: A YOUNG RESIDENT MEDICAL OFFICER OF SOME THREE OR FOUR YEARS STANDING.

'ORDERLY: A HOSPITAL ORDERLY.

'POLICE PHOTOGRAPHER.'