y separately published work icon ATOM Moving Image Series series - publisher   criticism  
... ATOM Moving Image Series
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y separately published work icon The Films of Jane Campion : Views From Beyond the Mirror Sue Gillett , St Kilda : Atom , 2004 Z1805275 2004 single work criticism 'A detailed and beautifully written analysis of the remarkable cinematic achievement of New Zealand born director Jane Campion.' (Publisher's blurb) St Kilda : Atom , 2004
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y separately published work icon 'The Monkey's Mask' : Film, Poetry and the Female Voice Rebecca Louise , St Kilda : Atom , 2012 Z1927382 2012 single work criticism 'A study of the ways in which the female voice is articulated in the novel and film adaptation of The Monkey's Mask. Through an analysis of the female voices within the film and novel, this book draws on Kaja Silverman's and Elizabeth Grosz's interpretation of Luce Irigaray's 'feminine language' to explore the ways in which the female body is voiced. It looks at the female voices within Samantha Lang's 2001 film. This book explores the ways in which image and voice work to express women's subjectivity.

It also discusses Dorothy Porter's 1994 verse novel The Monkey's Mask and the ways in which the female voice is articulated within Porter's text. Drawing on Silverman's argument that the embodied female voice in film works to contain the woman in the symbolic although the female characters' voices are embodied, their poetic language breaks down the subject-object dichotomy of the symbolic order. However, in its attempt to fulfil detective narrative conventions, the film adaptation privileges the unity and closure of the phallocentric language critiqued by Irigaray.

Compared with the novel, the film adaptation privileges masculine unity and truth over Porter's complex multiplicity. Porter uses the hysteric strategy through her parody of the detective genre and thereby brings to the foreground the complexity of female sexuality. In Porter's novel the relationship between female detective Jill and murder-victim Mickey reveals a continuous link between the living and the dead, bringing to light Irigaray's model of the maternal genealogy in which the mother is freed from the burial given to her by a phallocentric culture at the onset of motherhood. Porter's use of elegy rejects Silverman's suggested severance of the mother-daughter connection which Silverman argues is necessary for identity.'

Source: Trove catalogue record
 St Kilda : Atom , 2012
y separately published work icon Australian Comedy Films of the 1930s Lesley Speed , St Kilda : Australian Teachers of Media (ATOM) , 2015 9082698 2015 multi chapter work criticism

'Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970.

'These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moves further from Empire and the bush, forges the Digger legend, responds to cultural diversity and views itself as a modern, urban nation.

'Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced.' (Publication summary)

 St Kilda : Australian Teachers of Media (ATOM) , 2015

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    • St Kilda, Caulfield - St Kilda area, Melbourne - Inner South, Melbourne, Victoria,: Atom , .
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Last amended 24 Nov 2015 12:32:14
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