The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Colonial Journals and Their Artists
2014
single work
criticism
— Appears in: The Colonial Journals : And the Emergence of Australian Literary Culture 2014; (p. 196-220) ‘The very early colonial Australian journals were visually lain, with the covers showing little adornment beyond the typography of the journal’s title or perhaps a patterned border or a few generic flourishes in the corners. By the late 1830s, however, editors were drawing on the skills of local artists and designers. According to Frank S. Greenop, James Tegg’s Literary News (12 August 1837-3 February 1838) was the first colonial journal to include an illustration, an image from Australian natural history: ‘Apart from being a creditable weekly publication, the Literary News left behind it one innovation: it had broken the even type measure of its column to include in one issue an illustration which was engraved on wood, a picture of a platypus illustrating an article describing the creature. Only once before had a magazine included an illustration, and that was the lithographic frontispiece which appeared in some issues of the Hobart Town Monthly. Not long afterwards, however, colonial journals began to employ local illustrators to develop their visual content, livening up the printed page. The Short-lived Arden’s Sydney Magazine (September – October 1843) highlighted its association with the immigrant lithographer and painter J.S. Prout: ‘we’re inclined to hope’, George Arden wrote, ‘that Mr Prout’s connection with our literary labours will not be disadvantageous to his fame as an Artist’. Prout’s sketch for the first issue, ‘The Tank Stream, Sydney, 1843’, is generically typical of the kinds of illustrations found in the journals around this time. They give realistic black-and-white snapshots of aspects of colonial urban development (the Tank Stream had provided fresh water to Sydney in the early days of the colony), bush landscapes, local natural history and portraiture. In fact, they work precisely as precursors to documentary photography – which made its way into the colonial journals much later on, towards the end of the century.’ (Authors introduction : 197)
-
Colonial Journals and Their Artists
2014
single work
criticism
— Appears in: The Colonial Journals : And the Emergence of Australian Literary Culture 2014; (p. 196-220) ‘The very early colonial Australian journals were visually lain, with the covers showing little adornment beyond the typography of the journal’s title or perhaps a patterned border or a few generic flourishes in the corners. By the late 1830s, however, editors were drawing on the skills of local artists and designers. According to Frank S. Greenop, James Tegg’s Literary News (12 August 1837-3 February 1838) was the first colonial journal to include an illustration, an image from Australian natural history: ‘Apart from being a creditable weekly publication, the Literary News left behind it one innovation: it had broken the even type measure of its column to include in one issue an illustration which was engraved on wood, a picture of a platypus illustrating an article describing the creature. Only once before had a magazine included an illustration, and that was the lithographic frontispiece which appeared in some issues of the Hobart Town Monthly. Not long afterwards, however, colonial journals began to employ local illustrators to develop their visual content, livening up the printed page. The Short-lived Arden’s Sydney Magazine (September – October 1843) highlighted its association with the immigrant lithographer and painter J.S. Prout: ‘we’re inclined to hope’, George Arden wrote, ‘that Mr Prout’s connection with our literary labours will not be disadvantageous to his fame as an Artist’. Prout’s sketch for the first issue, ‘The Tank Stream, Sydney, 1843’, is generically typical of the kinds of illustrations found in the journals around this time. They give realistic black-and-white snapshots of aspects of colonial urban development (the Tank Stream had provided fresh water to Sydney in the early days of the colony), bush landscapes, local natural history and portraiture. In fact, they work precisely as precursors to documentary photography – which made its way into the colonial journals much later on, towards the end of the century.’ (Authors introduction : 197)
Last amended 1 Sep 2011 12:11:47
Export this record
