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y separately published work icon Head Full of Love single work   drama  
Issue Details: First known date: 2010... 2010 Head Full of Love
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AbstractHistoryArchive Description

'Extraordinary friendships. Extraordinary women.

'An intricately woven play, Head Full of Love draws a portrait of the relationships that develop at the Alice Springs Beanie Festival. This renowned Central Australian event is an annual pilgrimage for women as diverse and distant as the Anangu and Tjanpi weavers, and Western women from all over the world.

'As secrets are shared and struggles are faced, a tendril of trust begins to develop into an unlikely friendship and the distance between worlds diminishes.

'Directed by Wesley Enoch and starring Colette Mann and Roxanne McDonald, this remarkable production is an invitation to look differently at the possibilities of an everyday item and by extension, our everyday lives.'

(Source: http://www.darwinfestival.org.au/Schools-Program/head-full-of-love.html)

Notes

  • A radio adaptation by Alana Valentine was broadcast on ABC Radio National’s Airplay on 25th November, 2012.

Production Details

  • Premiered at the Darwin Festival in 2010.

    Performed at Cremorne Theatre, QPAC, South Brisbane, from 7 July to 11 August 2012.

    Presented by the Queensland Theatre Company.

    Cast: Collette Mann and Rozanne McDonald.

    Director: Wesley Enoch.

    Set Design: Simone Romaniuk.

    Composer: Brett Collery.

    Lighting Designer: Ben Hughes.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 2010
    • Fortitude Valley, Fortitude Valley - New Farm area, Brisbane - North East, Brisbane, Queensland,: Playlab , 2014 .
      image of person or book cover 8368700013676269065.jpg
      Image courtesy of publisher's website.
      Extent: 98p.p.
      ISBN: 9871921390500

Works about this Work

Verbatim Theatre and a Dramaturgy of Belonging Sarah Peters , 2019 single work criticism
— Appears in: Australasian Drama Studies , May no. 74 2019; (p. 39-63)

'The process of creating verbatim theatre often involves interviewing a community of storytellers, documenting these conversations and using the stories to inform the creative development of a play. These practices prompt the act of personal storytelling, and the material generated in a verbatim theatre process often includes the core features of belonging, such as identity narratives, people making sense of their experiences and discursively identifying their sense of self and how they belong in their community. I suggest that these features, in combination with the common verbatim conventions of direct address and diegetic theatricality, form a dramaturgy of belonging. I propose a dramaturgy of belonging and suggest that the sense of community belonging experienced by audiences is a direct result of the practice of community immersion and interviewing in a verbatim theatre process.'  (Publication abstract)

The Stage Is Set for Head Full of Love 2015 single work review
— Appears in: Koori Mail , 3 June no. 602 2015; (p. 3)

— Review of Head Full of Love Alana Valentine , 2010 single work drama

Head Full of Love, 'a play about an unlikely friendship between an Aboriginal and a white woman will be staged in western Sydney next month...'

QTC Season 2012 2012 single work column
— Appears in: The West End Magazine , Winter no. 11 2012; (p. 60-61)
Humour and Charm in Story of Race, Headware and Healing Caroline Heim , 2012 single work review
— Appears in: The Australian , 16 July 2012; (p. 17)

— Review of Head Full of Love Alana Valentine , 2010 single work drama
Weaving a Tale from the Heart Olivia Stewart , 2012 single work review
— Appears in: The Courier-Mail , 20 July 2012; (p. 58)

— Review of Head Full of Love Alana Valentine , 2010 single work drama
Back in the Alice Madeline Healy , 2012 single work review
— Appears in: The Sunday Mail , 1 July 2012; (p. 30)

— Review of Head Full of Love Alana Valentine , 2010 single work drama
Weaving a Tale from the Heart Olivia Stewart , 2012 single work review
— Appears in: The Courier-Mail , 20 July 2012; (p. 58)

— Review of Head Full of Love Alana Valentine , 2010 single work drama
Humour and Charm in Story of Race, Headware and Healing Caroline Heim , 2012 single work review
— Appears in: The Australian , 16 July 2012; (p. 17)

— Review of Head Full of Love Alana Valentine , 2010 single work drama
The Stage Is Set for Head Full of Love 2015 single work review
— Appears in: Koori Mail , 3 June no. 602 2015; (p. 3)

— Review of Head Full of Love Alana Valentine , 2010 single work drama

Head Full of Love, 'a play about an unlikely friendship between an Aboriginal and a white woman will be staged in western Sydney next month...'

Heads Full of Love Alana Valentine , 2010 single work column
— Appears in: Artery , no. 13 2010; (p. 4)
Australian Stories at Centre Stage Nathanael Cooper , 2011 single work column
— Appears in: The Courier-Mail , 10 October 2011; (p. 14)
Real Characters : There Was No drama When These Thespians Found Instant Rapport Lucy Brook (interviewer), 2012 single work interview
— Appears in: Brisbane News , 4 - 10 July no. 889 2012; (p. 11)
QTC Season 2012 2012 single work column
— Appears in: The West End Magazine , Winter no. 11 2012; (p. 60-61)
Head Full of Love 2007 single work column
— Appears in: Deadly Vibe Magazine , 30 November 2007;
Last amended 15 Jul 2021 14:36:08
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