Cirrus@Austlit

'Published in 1963, the year after the Cuban Missile Crisis, Tourmaline points toward Cold War horizons. America, the guardian of the free world after World War II, was bolstered in its resistance to Communism by Christian revivalism, two of whose most gifted exponents, the Catholic priest Father Patrick Peyton and the Protestant evangelist Dr Billy Graham, made successful visits to Australia in the 1950s. In Stow's Tourmaline, the "esprit de corps" of a drought-stricken, impoverished former goldmining town in the Western Australian desert undergoes Christian revival thanks to a water diviner who calls himself Michael Random. Blond, blue-eyed, handsome and athletic, Michael is nonetheless in a state of religious crisis that is alleviated only when an old Aboriginal woman, Gloria Day, refers him to one of Jesus' parables. But Michael is already a star by virtue of the townspeople's reception of him: whether they love him or subject him to a hermeneutics of suspicion (one of the characters sarcastically calls him "the witch doctor"), Michael's every move fascinates the Tourmaliners. In the course of the novel, Michael's star is eclipsed, perhaps on the very terms of the parable cited by Gloria Day. Polarised around religious certainties and uncertainties, encompassing unrequited passions and Western-movie-style power struggles, Tourmaline could be described as an epistemological melodrama. Besides Tourmaline, the paper draws on Stow's The Bystander (1957) and Visitants (1979) for evidence of a complex, nuanced relationship between Stow's Australia, a mediated United States of America, and the 'star' phenomenon.' (Author's abstract)