'This paper will examine a selection of Australian fiction which features Elvis Presley, or a Presley manqué, as a character. This will include novels and short fiction by Debra Adelaide (A Household Guide to Dying), Julie Capaldo (Weather), Nick Cave (And the Ass Saw the Angel), Gail Jones ('Heartbreak Hotel') and Dorian Mode (A Cafe in Venice). The paper will investigate the capacity of a ubiquitous pop icon such as Presley to absorb and reflect socio-cultural meanings that transcend national boundaries while at the same time affirming elements of national character. In doing so it will consider the meaning and function of trans-national celebrity in a globalised world, and explore why it is that Australian authors—and readers—find a resonance in the figure of Elvis Presley that is seemingly missing from the pop-iconography of their own country.' (Author's abstract)