'The poetry of Andy Jackson not only inhabits and is rooted in the liminal space of the body, but is used as a site to consider selfhood, subjectivity, language, form, and bodily difference. Using poetry as a generative practice, Jackson expresses the unsettledness of being in his own body. Jackson has the hereditary genetic disorder, Marfan Syndrome, where the body is unable to correctly produce the protein fibrillin-1, which in turn affects the connective tissue, the heart, the spine, and the joints. On his blog, Among the Regulars, Jackson describes his body of work as ‘poetry, from a body shaped like a question mark’.1 A pronounced spinal curvature means that Jackson inhabits his body in a particular way, and in turn marks his use of language in a particular way. He is explicit about this: ‘I would argue that to begin to unravel how the body is implicated in poetry will illuminate and liberate both’.2 In rewriting the language of the body, Jackson engages in a poetics of the threshold — the threshold being the nexus between selfhood, subjectivity, and the body, both the individual body and the collective body. He does this by renovating form (language) and by interrogating (his own) disability.' (Introduction)
'Andy Jackson is a poet of compassion and intellect. His 2021 collection, Human Looking, explores the voices of the disabled and ill with tenderness and love.
'Andy's first collection, Among the Regulars, was shortlisted for the 2011 Kenneth Slessor Prize for Poetry, and his 2020 collection Music Our Bodies Can’t Hold'was shortlisted for the John Bray Poetry Award.
'Andy has featured at literary events and arts festivals in Ireland, India, the USA and across Australia, and has co-edited disability-themed issues of the literary journals Southerly and Australian Poetry Journal. He works as a creative writing teacher and tutor for community organisations and universities.'(Production summary)
'Andy Jackson is a poet of compassion and intellect. His 2021 collection, Human Looking, explores the voices of the disabled and ill with tenderness and love.
'Andy's first collection, Among the Regulars, was shortlisted for the 2011 Kenneth Slessor Prize for Poetry, and his 2020 collection Music Our Bodies Can’t Hold'was shortlisted for the John Bray Poetry Award.
'Andy has featured at literary events and arts festivals in Ireland, India, the USA and across Australia, and has co-edited disability-themed issues of the literary journals Southerly and Australian Poetry Journal. He works as a creative writing teacher and tutor for community organisations and universities.'(Production summary)
'The poetry of Andy Jackson not only inhabits and is rooted in the liminal space of the body, but is used as a site to consider selfhood, subjectivity, language, form, and bodily difference. Using poetry as a generative practice, Jackson expresses the unsettledness of being in his own body. Jackson has the hereditary genetic disorder, Marfan Syndrome, where the body is unable to correctly produce the protein fibrillin-1, which in turn affects the connective tissue, the heart, the spine, and the joints. On his blog, Among the Regulars, Jackson describes his body of work as ‘poetry, from a body shaped like a question mark’.1 A pronounced spinal curvature means that Jackson inhabits his body in a particular way, and in turn marks his use of language in a particular way. He is explicit about this: ‘I would argue that to begin to unravel how the body is implicated in poetry will illuminate and liberate both’.2 In rewriting the language of the body, Jackson engages in a poetics of the threshold — the threshold being the nexus between selfhood, subjectivity, and the body, both the individual body and the collective body. He does this by renovating form (language) and by interrogating (his own) disability.' (Introduction)