y separately published work icon Authentic Local selected work   poetry  
  • Author:agent Pamela Brown http://www.poetrylibrary.edu.au/poets/brown-pam
Issue Details: First known date: 2010... 2010 Authentic Local
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Notes

  • Dedication: Authentic Locals, Everywhere & Anywhere

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • West End, South Brisbane - East Brisbane area, Brisbane - South & South West, Brisbane, Queensland,: Papertiger Media , 2010 .
      Extent: 81p.
      ISBN: 9780980769517
VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Works about this Work

Ghostly Sisters : Feminist Collaborative Performance in Australia Ann Vickery , 2016 single work criticism
— Appears in: Axon : Creative Explorations , vol. 6 no. 1 2016; 'This article examines how feminist performance has been, and continues to be, a key vehicle for the collaborative exploration of sexual difference and female subjectivity in Australia. It focuses specifically on the Lean Sisters and Generic Ghosts, whose collaborative performances occurred during the seventies and eighties, and their impact on subsequent feminist collaborative performance groups. As the article demonstrates, this counter-cultural tradition of performance typically deploys tactics of intertextuality, cross-media experimentation, humour, and détournement to critique gender oppression and its recurrence, while staging new possibilities of an embodied feminist politics.' (Publication abstract)
Thinking with Things : Object Habitats and Relational Aesthetics in the Poetry of Astrid Lorange and Pam Brown Kate Fagan , 2015 single work criticism
— Appears in: Journal of Poetics Research , March no. 2 2015; 'THE WORD ‘habitat’ is associated most often with living matter. Habitats are places of linkage; environments that sustain, and are built by, living things. But what happens when we imagine poems as habitats for any and all things, whether sentient or not? Contemporary Australian poets Astrid Lorange and Pam Brown both write thing-ly poetries. Both display an intense and tender regard for nouns as they verb. Both revel in arrays of lists. In Astrid Lorange’s supercharged works, objects and bodies impress upon and are arranged alongside others in teeming ecologies. Material and conceptual transformations occur as poems enable what literary and cultural theorist John Frow has called “an endless mixing of the properties of persons with the properties of things” (Frow 280) – as figured in Lorange’s poem ‘Wolves are Swarms’...' (Author's introduction)
Untitled Heather Taylor Johnson , 2011 single work review
— Appears in: Mascara Literary Review , October no. 10 2011;
— Review of Authentic Local Pamela Brown , 2010 selected work poetry
[Review] Dark Bright Doors [et al] Laura Joseph , 2011 single work review
— Appears in: Southerly , vol. 71 no. 1 2011; (p. 336-243)
— Review of Dark Bright Doors Jill Jones , 2010 selected work poetry ; Authentic Local Pamela Brown , 2010 selected work poetry ; Love Poems Dorothy Porter , 2010 selected work poetry
Brieflings Les Wicks , 2011 single work review
— Appears in: Famous Reporter , no. 42 2011; (p. 79-85)
— Review of Authentic Local Pamela Brown , 2010 selected work poetry ; The Striped World Emma Scully Jones , 2009 selected work poetry ; Dark Bright Doors Jill Jones , 2010 selected work poetry ; Pirate Rain Jennifer Maiden , 2009 selected work poetry ; Letters Chris Mansell , 2009 selected work poetry ; In Conversation with the River : Poems Christopher Kelen , 2010 selected work poetry
Brieflings Les Wicks , 2011 single work review
— Appears in: Famous Reporter , no. 42 2011; (p. 79-85)
— Review of Authentic Local Pamela Brown , 2010 selected work poetry ; The Striped World Emma Scully Jones , 2009 selected work poetry ; Dark Bright Doors Jill Jones , 2010 selected work poetry ; Pirate Rain Jennifer Maiden , 2009 selected work poetry ; Letters Chris Mansell , 2009 selected work poetry ; In Conversation with the River : Poems Christopher Kelen , 2010 selected work poetry
[Review] Dark Bright Doors [et al] Laura Joseph , 2011 single work review
— Appears in: Southerly , vol. 71 no. 1 2011; (p. 336-243)
— Review of Dark Bright Doors Jill Jones , 2010 selected work poetry ; Authentic Local Pamela Brown , 2010 selected work poetry ; Love Poems Dorothy Porter , 2010 selected work poetry
Untitled Heather Taylor Johnson , 2011 single work review
— Appears in: Mascara Literary Review , October no. 10 2011;
— Review of Authentic Local Pamela Brown , 2010 selected work poetry
Off the Top Shelf Catherine Cole , Mark Rubbo , Michael Shmith , Clare Wright , Gig Ryan , 2010 single work column
— Appears in: The Age , 31 July 2010; (p. 24-25) The judges for the 2010 Age Book of the Year Awards provide a summary for the category for which they are responsible and comments on each shortlisted title.
Thinking with Things : Object Habitats and Relational Aesthetics in the Poetry of Astrid Lorange and Pam Brown Kate Fagan , 2015 single work criticism
— Appears in: Journal of Poetics Research , March no. 2 2015; 'THE WORD ‘habitat’ is associated most often with living matter. Habitats are places of linkage; environments that sustain, and are built by, living things. But what happens when we imagine poems as habitats for any and all things, whether sentient or not? Contemporary Australian poets Astrid Lorange and Pam Brown both write thing-ly poetries. Both display an intense and tender regard for nouns as they verb. Both revel in arrays of lists. In Astrid Lorange’s supercharged works, objects and bodies impress upon and are arranged alongside others in teeming ecologies. Material and conceptual transformations occur as poems enable what literary and cultural theorist John Frow has called “an endless mixing of the properties of persons with the properties of things” (Frow 280) – as figured in Lorange’s poem ‘Wolves are Swarms’...' (Author's introduction)
Ghostly Sisters : Feminist Collaborative Performance in Australia Ann Vickery , 2016 single work criticism
— Appears in: Axon : Creative Explorations , vol. 6 no. 1 2016; 'This article examines how feminist performance has been, and continues to be, a key vehicle for the collaborative exploration of sexual difference and female subjectivity in Australia. It focuses specifically on the Lean Sisters and Generic Ghosts, whose collaborative performances occurred during the seventies and eighties, and their impact on subsequent feminist collaborative performance groups. As the article demonstrates, this counter-cultural tradition of performance typically deploys tactics of intertextuality, cross-media experimentation, humour, and détournement to critique gender oppression and its recurrence, while staging new possibilities of an embodied feminist politics.' (Publication abstract)
VIEW ALL WORKS ABOUT (6)

Awards

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Last amended 2 Aug 2010 11:35:20
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