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In this essay, the author explores the European origins of the trope of linearity and on the role it plays in the imposition of cultural space upon geographic space, 'focusing all along on Bail's parody of the straight line and on the ontological implications thereof' (149).
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Last amended 17 Jun 2010 15:28:03
149-164
Spatial Linearity and Postcolonial Parody in Murray Bail's 'Holden's Performance'
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