Shocking Audiences Modern and Ancient single work   criticism  
Issue Details: First known date: 2010... 2010 Shocking Audiences Modern and Ancient
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Notes

  • Epigraph: Introduction

    When I am laid in earth, May my wrongs create

    No trouble in thy breast;

    Remember me, but ah! forget my fate.

Publication Details of Only Known VersionEarliest 2 Known Versions of

VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Related Works

The Lost Echo : Introduction Elizabeth Hale , 2010 single work criticism
— Appears in: Australasian Drama Studies , April no. 56 2010; (p. 103-108)

'The Lost Echo, Barrie Dosky and Tom Wright's 2006 adaptation of Ovid's Metamorphoses for the Sydney Theatre Company, gave audiences and epic theatrical experience. It was epic in length, with its eight hours comprising four Acts of two hours; it was epic in scale using the twelve members of the Sydney Theatre Company's recently formed Actors Company, guest artist Paul Capsis, and a chorus of twenty-four second-year NIDA students.' (p. 102)

Elizabeth Hale provides a brief summary of each Act as an introduction to the suite of criticisms that follow.
VIEW ALL RELATED WORKS (1)
Last amended 7 May 2010 11:12:35
131-153 Shocking Audiences Modern and Ancientsmall AustLit logo Australasian Drama Studies
Subjects:
  • The Lost Echo Tom Wright , Barrie Kosky , 2006 single work drama
Newspapers:
    Powered by Trove
    X