The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
'The Australian 'mockumentary' Summer Heights High depicts a fictional secondary school. Among the protagonists are archetypal adolescents - male and female - whose relationships with the institution and their peers may be interpreted as resistance narratives. Although purportedly satirical representations, the characters are depicted with striking realism; as such, it is argued, they may serve as models for analysis of the school environment. This article focuses on Jonah, an eighth-grader whose learning difficulties, literacy problems, and anti-social behaviour are entwined with his self-identification as an ethnic (Polynesian) outsider. His behaviours and attitude may be seen as a radically inarticulate expression of his own ethnic, social, and intellectual otherness. It is argued here that because of the mutually intractable and radically opposed natures of the traditional education institution and the 'Jonahs' with whom it must deal, only a paradigm shift in the system and perhaps society overall will 'save' such students. The article discusses alternative education models, and argues that current political pressures on schools and teachers to 'improve performance' miss the point and do more harm than good.' (p. 305)
'This article explores the role that urban place and specifically urban comparison play in the public performances of both the comedian Barry Humphries and the character Edna Everage. In developing Claire Colebrook's analysis of satire as a form of humour that is physically and historically located, we argue that the initial success of Humphries' satire rests on his elaboration of a specific series of geo-social locations. The article then examines the ways in which Edna makes the local her own global, demonstrating how Barry Humphries has progressively modified and internationalised Edna's provincialism so that his satirical cultural project is understandable over five decades and beyond her origins in Melbourne.' (p. 317)