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'In this paper I am reading Jindabyne as a significant place and its sustained filmic representation in Ray Lawrence's Jindabyne (2006) in order to consider how we might begin to understand Australianness as a kind of haunted subjectivity but as\lso as one that might be reframed within or by a politics of becoming. Just as Thrift calls up a trope of water on land in his 'reservoir of meanings,' so too does Lawrence's film consider the symbolic meanings and resultse that come of Australian water on/and Australian land.' (p. 141)
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Last amended 29 Nov 2011 15:56:06
141-146
'Everything's Turning to White' : Palimpsestuous Revelations Make in the Journey from Jindabyne to Jindabyne
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